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Despite increasing scholarship on the cultural Cold War, focus has been persistently been fixed on superpowers and their actions, missing the important role played by individuals and organizations all over Europe during the Cold War years.This volume focuses on cultural diplomacy and artistic interaction between Eastern and Western Europe after 1945. It aims at providing an essentially European point of view on the cultural Cold War, providing fresh insight into little known connections and cooperation in different artistic fields. Chapters of the volume address photography and architecture, popular as well as classical music, theatre and film, and fine arts. By examining different actors ranging from individuals to organizations such as universities, the volume brings new perspective on the mechanisms and workings of the cultural Cold War. Finally, the volume estimates the pertinence of the Cold War and its influence in post-1991 world.The volume offers an overview on the role culture played in international politics, as well as its role in the Cold War more generally, through interesting examples and case studies.
How was anti-communism organised in the West? This book covers the agents, aims, and arguments of various transnational anti-communist activists during the Cold War. Existing narratives often place the United States - and especially the CIA - at the centre of anti-communist activity. The book instead opens up new fields of research transnationally.
This book analyses a key episode in the cultural Cold War - the formation of the Congress for Cultural Freedom. This study combines archival research, cultural history and the theory of Gramscian political economy.
Interdoc was established in 1963 by Western intelligence services as a multinational effort to coordinate an anti-communist offensive. Drawing on exclusive sources and the memories of its participants, this book charts Interdoc's campaign, the people and ideas that lay behind it and the rise and fall of this remarkable network during the Cold War.
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