Bøker av Gerard Charles Wilson

MYSTERY ROMANCE AND SUSPENSEFr Jos van Engelen, a Dutch missionary priest, stationed in New Guinea before World War II, is recalled to Holland to help his superior general combat ideological subversion within his fraternity. He arrives in March 1940.British intelligence enlists him for covert operations, but after the Nazis invade Holland, it all goes horribly wrong. He flees from betrayal and the murder of trusted colleagues to Amsterdam, where he joins the Dutch resistance. For the next five years, directed by the mysterious Femke, he works in covert roles, staying ahead of Nazi detection units and dealing with the occult.When the Nazis fire on a crowd in May 1945, he saves a young woman and her baby from being crushed. So begins an unspoken relationship with the Strict Reformed Truus van den Donker and a deadly tussle with her brutish occultist husband.After the war, the conflict continues with those he suspects of betraying him. The conflict comes to a head during and after the Second Vatican Council and results in more measures to get him out of the way. At the same time, he must confront sinister occultist forces that want him dead.This is a story of unswerving faith and commitment against diabolical forces Fr Jos can hardly conceive.The SIXTIES SERIES will consist of six connected but stand-alone stories. The themes of the 'Goddess', neo-paganism, the occult and Gnosticism are threads through the stories. The Second Vatican Council and the cultural revolution of the 1960s and 1970s (1965-1975) form the background. The author attempts to recreate the atmosphere of the times.

AUSTRALIAN POLITICAL HISTORY. The author intertwines three themes: the character of former Prime Minister Tony Abbott as displayed in his fearless no-holds battle with the far-left radicals at Sydney University (1976-1980); what it means to be a philosophical conservative in a leftist world; and the author's critique of the student rebellion and the radicalism driving it. The author lived through the tumultuous years of the 1960s and 1970s revolution. Tony Abbott becomes a vehicle through which he expresses his scathing critique of the student rebellion.In 2012, a passage in David Marr's book POLITICAL ANIMAL: THE MAKING OF TONY ABBOTT caused uproar across Australia. Leftist Marr is an out-and-proud passionate critic of Abbott's. Barbara Ramjan, wife of a top-gun criminal lawyer and hitherto unknown to the public, accused Abbott of subjecting her to an act of violence that (allegedly) occurred in 1977 when they were students at Sydney University. Marr made Ramjan's accusation public thirty-five years later. Abbott's many critics in politics and the media swallowed the accusation and treated the alleged violence as more evidence for the views they had long held about him.The scenario they propagate is that Abbott is sexist and hates women; claims men are the natural leaders of society; and in politics he is brutal and insensitive. Above all this, is the irrational discriminatory religion that motivates him. Abbott has no place in politics. Indeed, feminist Susan Mitchell strove to make the case in her book TONY ABBOTT; A MAN'S MAN that Abbott was 'dangerous'. But how well do the many books and reports attacking Abbott stand up to scrutiny? How well does their judgment of Abbott bear close investigation? How much is a caricature for political purposes, and how much is supported by the evidence? What is the evidence for Ramjan's accusation?In TONY ABBOTT AND THE TIMES OF REVOLUTION, the author investigates. He traces Abbott's political development from school through to the end of his time at Sydney University (1963-1980). A contemporary of Abbott's and sharing a similar background, the author draws on his experiences and reactions to the tumultuous times of the 1960s and 1970s in addition to the documentary research.The book is in four parts: the school years and the 1960s revolution; student radicalism at Sydney University 1973-1975, the prelude to Abbott's arrival on campus; Abbott's engagement with the far left (1976-1980); and the media and Abbott. What emerges from the author's tracing of Abbott's combat with the far left on campus is the waging of a heroic battle on behalf of Western Civilisation against the combined forces of Marxism in its multiple manifestations. In the final chapter, the author reviews the evidence in Marr's book for the alleged violence and finds none of it makes sense. There are holes through which a herd of African elephants could pass without touching the sides.The book contains an index of names.

SECOND EDITION Revised 2022A history of colonial Australia, not of the famous and heroic, but of the small people, the anonymous people who were the heartbeat of a growing nationIn this first book of the series, A HISTORY OF A CATHOLIC FAMILY, the author sets out on a journey through Australia's colonial history with his ancestors, who gradually take on flesh and blood from the bone-dry official documents. All his ancestors are from British Isles, all arriving by the 1830s, two on the First Fleet in 1788. Most are from southern England: Wiltshire, Lancashire, Middlesex, Essex, Norfolk, Lincolnshire, and Huntingdonshire. Astonishingly, four are from two little villages close by each other in Wiltshire: Semley and Donhead St Mary.A small Irish contingent of two convicts and one free settler come from Dublin, Monaghan, and Donegal. A farming family of four from Aberdeen Scotland, the Burgesses, literate people with a keen sense of decorum, make up the full count. It is surprising how much he finds out about them all-joys, successes, and tragedies. Their lives are anything but dull.James Joseph Wilson, who narrowly escaped the gallows and was surprisingly literate for a man thrice convicted of burglary, arrived in Port Jackson on board the Prince Regent in 1827. The colonial authorities assigned him to Robert Lowe, one of the Colony's early landholders. Lowe sent him to Mudgee in north-western New South Wales to shepherd his flocks. Young 18-year-old hutkeeper James Joseph was one of the first inhabitants in the Mudgee area.He teamed up with fellow convict Michael Jones to look for land. They married sisters Jane and Elizabeth Harris, daughters of free settlers, and travelled further north-west to the Coonamble area, 330 miles from Sydney, to set up their farms. The two freed convicts and the Harris sisters became his great-great-grandparents.There are nine convicts in the direct line of his ancestors. He traces their lives against the social and historical background of colonial Australia, presenting a very different picture from the view usually found in school history books. They all thrive, taking advantage of their second chance. This book is the story of their redemption.Besides offering the reader an interesting, sometimes gripping family story, he reveals the cultural continuities in which his ancestors acted and how they responded to those continuities in a totally different physical environment. He seeks to discover to what extent the outlook, culture and character of his ancestors worked to make his extended family and him what they are. And, finally, perhaps most importantly, he sketches a picture of the way Australia developed as a new people and a new nation. In 1950, most Australians had an ancestry like his.This first book is a history of colonial Australia, not of the famous and heroic, but of the small people, the anonymous people who were the heartbeat of a growing nation-people like his ancestors.Since the publication of Prison Hulk to Redemption in 2016, the author has made many adjustments and additions, besides rewriting passages that could have been clearer. In preparing this second edition, besides thoroughly revising the text, the author stresses the social and cultural continuities to bring out his ideas on what it means to be a people and a nation.

Mabel Winston is a modern successful woman - clever, stylish, and dedicated to her work. She's the non-fiction publishing director of an international publisher. Tom Rutherford, tall, handsome lawyer, is her boyfriend. Kitty, Mabel's daffy personal assistant, jokes that she takes Tom for granted and is too comfortable about the parade of men seeking her favors. Mabel laughs it off as more of Kitty's spirited kidding. But there's more to Kitty than her jokes and amusing self-deprecation.Raphael Cannane drifts back into Mabel's life after a ten-year break. Mabel and Raf grew up in the same street. Raf's twin sister, Rebecca, was sweet, but Raf sometimes a snarling tomcat. Mabel was often his victim. She could never understand why. Now he is back, troubling her, not in the same savage way, but with a disturbing irony.Mabel departs with her mother, Miriam, on a pre-planned holiday to England, part of which is a tour of the places in Jane Austen's two Bath novels, Northanger Abbey and Persuasion. At the airport, they meet Dirk Howlett-Smit, a wealthy funds manager. Dirk invites Mabel and Miriam to his sprawling Georgian mansion outside London.All is going well when Mabel abruptly packs up and flees to Bath with Miriam. Dirk and his daughter, Edwina, follow and join the tour which swells to eight. A seemingly changed Raf is among the new arrivals. The tour is torture for Mabel. Then Tom appears without warning. Worse is to come when she returns to her work. Her private life is in free fall. Will she be moved to reflect on her relationships? Has Raf really changed and what does he want? And what has caused a change in Kitty?

Virginia Pearson and the beautiful Aine O'Riordan are among a group of young women entering the convent of the Sisters of the Suffering Saviour. Strange happenings torment the sensitive and withdrawn Aine O'Riordan. Virginia tries to comfort her, but dark mysterious events force Aine out of the convent. With deep sorrow she leaves behind her dear friend to deal with the unexplained happenings and an atmosphere of foreboding that seems to infect the life of the convent.Virginia (later Sister Agnes), suspicious of fellow postulant Margaret McGuigan's (later Sister Catherine) role in this, enters into a barely suppressed conflict with her through their religious training to their university course in 1962. The intrusion of Virginia Pearson's former fiancé - and senior lecturer Dr Philip Stevenson - into her life as Sister Agnes adds an unexpected problem. Meanwhile, Aine has been lured into the world of fashion modelling and appears unaware of where personable photographer Harry is leading her. She unwittingly plays a connecting role in the deepening conflict and the continuing mysteries that see Virginia and Aine each rushing towards a crisis. The SIXTIES SERIES will consist of at least six connected but stand-alone stories. The themes of the 'Goddess', neo-paganism, and Gnosticism are threads to greater or lesser degrees through the stories. The historical, political, and ideological background is the cultural revolution the 1960s and 1970s (1965-1975) and the Second Vatican Council. The author who lived through those times recreates its atmosphere.

Paul Martin is not sure what he is, where he is going, and who he is going with - until he meets Persephone Stickx with whom he finds himself falling in love. Super confident modern Persephone is determined to lead Paul to inner enlightenment by way of the divine feminine.Paul meets Persephone when friend property dealer Brad brings Persephone and her partner Hayden to Paul's house in the pristine hinterland, a haven for environmentalists and counterculture enthusiasts. Persephone and Hayden show a keen interest in an old religious picture Paul bought at the local market. They say the picture represents bondage for Paul. They want to help Paul break that bondage.Their enthusiasm to help intensifies when they learn Paul knows Fr Robbie Pleasance, who is before the courts for the sexual abuse of a minor. Paul was in a relationship with the priest, and he needs to act. They enlist brilliant lawyer Aleta Broadbent.To lead a reluctant Paul to inner enlightenment by way of the divine feminine, Persephone and Hayden expose him to a ritual that aims to release the female's sexual power. By this time, Paul's feelings for Persephone have surfaced.But it does not go as Persephone plans. The ritual fails. Instead of Persephone leading Paul to the divine feminine, she finds her growing affection for Paul leading her away from her salvific task. Hayden sees the relationship sabotaging their enterprise and breaks it up. Paul is despairing.By this time, a band of media people and lawyers pursuing clerical sexual abuse is circling Paul.What can he do to escape Aleta's manipulation and the media's attention and have Persephone with him again? The barriers seem invincible as he drawn farther into a vortex of a national media frenzy over the alleged abuse of a minor by the city's Catholic archbishop.The novel is in the style of Evelyn Waugh's early satires, satirizing the way the media, lawyers and sundry activist groups deal with clerical sexual abuse. It is a tale of outrageous hypocrisy that will sometimes make you laugh, sometimes cringe, and sometimes leave you appalled, but will always be 'glittering' in its satire, as one reviewer put it. There is no less satirizing of the zealous adherents of the New Age and Occult movement. This thoroughly revised edition expands the novel's major themes.

A social history of Australia, not of the famous and heroic, but of the small people, the anonymous people who were the heartbeat of a growing nationWhat did kids do in the 1950s when there were no smartphones, tablets, and computers? They roamed the neighbourhood on scooters and bikes. They went on bush hikes. They went to Saturday matinees where the theatres were packed to the rafters, and kids yelled at hero-action and booed kissing. Most of their pleasures were self-made. Besides roaming the streets free of risk, kids enjoyed trips to the beach and zoo. They took a double-decker bus town to see the Christmas displays. Christmas in the city was a wonderland of toys and amusements. The decade of the 1950s now seems idyllic to many now in their seventies and eighties. It was so different from the first decades of the 21st century that those years now seem like another world, an impossible world of social and moral values. In today's atmosphere, it seems hard to imagine it possessed any legitimate social and moral coherence.The author looks back on those years, telling the story as much about the world he grew up in as about himself. He starts from his birth in July 1946 and goes to the end of his second year at primary school, 1953, when he turned six and learnt to read. It was also the year that Princess Elizabeth was crowned Queen of England, a super-nova event for Australia. The author's story involves his lifelong friend, Pete, a rubella baby, a condition which tragically took his already poor sight in his teenage years. Pete's story, told as an adult without sight, is fascinating. The year 1946 was the year after the Second World War had ended. Despite an optimistic outlook, Australia was full of talk of the war - of the threat of war, of the suffering, of the shocking cruelty of the Japanese army, and of lost loved ones. The author's upbeat father, just discharged from the navy with the rank of Chief Petty Officer, put it all behind him and began building the family's first house in Lane Cove, a suburb on the north side of Sydney Harbour, and the scene of his childhood. Their new three-bedroom, double-brick home was like a palace. For a boy, who according to his mother had ants in his pants, the author remembers much about the social and political events that provoked his father into long and loud comment. He has clear memories of the Korean War, the activities of the communist-controlled unions, Prime Minister Menzies' measures against them, and so much more. The local convent under the regime of the Mercy Sisters is an unmissable part of his story. He recalls with affection the sisters' teaching methods and their strict regimentation of their pupils. He thinks some of their disciplinary methods, now condemned by many, are rather amusing to look back on. He regards that class of 1953 as the end of a phase in his development when he learnt to read. The following year, 1954, was rich in social and political events and will start the fourth book in the family history series, COMMUNISTS, BILLYCARTS AND TWO WHEELERS.