Bøker av Gerald Vizenor

A collection of original haiku from a preeminent Native American poet and novelist

In this powerful epistolary novel, acclaimed Anishinaabe author Gerald Vizenor interweaves history, cultural stories, and irony to reveal a shadow play of truth and politics.

Inventive, provocative, and ultimately affirmative, "The Trickster of Liberty" has become a classic in the repertoire of celebrated author Gerald Vizenor. A series of related stories, the novel follows the lives of seven mixedblood trickster siblings who began their lives on a reservation in northern Minnesota. Behaving in unpredictable ways, these siblings defy any attempt to fit them within stereotypical notions of the Indian. ""

The Anishinaabe, otherwise named as the Ojibwe or Chippewa, are well known for their lyric songs and stories. This annotated anthology aims to bring readers close to the tribe's union of natural reason and dream song, to "the memories that walk with the birds in the sky and sing across the water".

Centred on the volatile issue of the repatriation of Native American skeletal remains, Chancers follows a group of student Solar Dancers who set out to resurrect native remains housed in the Phoebe Hearst Museum of Anthropology at the University of California, Berkeley.

Bagese, a tribal woman transformed into a bear, has discovered a new urban world and she describes this world from the perspective of animals. These tales, drawn from traditional tribal stories, illuminate the centuries of conflict between American Indians and Europeans.

Focusing on published works by novelists N. Scott Momaday, Leslie Marmon Silko, D'Arcy McNickle, Louise Erdrich, and other Native American authors, the essays in this collection examine translation and representation in tribal literatures, comic and tragic world views and trickster discourse.

Almost Ashore is a selection of new and nurtured poems. The scenes are sentiments of survivance, and a tease of nature in original haiku poems. The imagistic scenes and associations are similar to the visual images in Anishinaabe, or Chippewa, traditional dream songs, mythic by nature and connected by images of natural reason.

Native Provenance challenges readers to consider the subtle ironies at the heart of Native American culture and oral traditions such as creation and trickster stories and dream songs, vividly exploring more than two centuries of shameful betrayal of native creativity.

The best stories create traditions, and this novel by celebrated Native American writer Gerald Vizenor is a marvelous conjunction of trickster stories and literary ingenuity. Chair of Tears is funny, fierce, ironic, and deadly serious, a sendup of sacred poses, cultural pretensions, and familiar places from reservations to universities.

Historical novel about Native American veterans who march in the Bonus Army during the Great Depression

Combines post-modern theory with the comic wisdom of the tribal trickster to explore the effects of nostalgic simulations of "Indian-ness".

Offering an examination of images of the Native as depicted by the dominant culture, the author argues that representations celebrate the absence rather than the presence of the Native.

An ingenious kabuki novel that begins in the ruins of the Atomic Bomb Dome, a new Rashomon Gate. In Hiroshima Bugi: Atomu 57 acclaimed Anishinaabe writer Gerald Vizenor has created a dynamic meditation on nuclear devastation and our inability to grasp fully its presence or its legacy.

In this imagined future, seven natives are exiled from federal sectors that have replaced federal reservations; they pursue the liberty of an egalitarian government on an island in Lake of the Woods.

Two Native American brothers serve as soldiers in World War I

Fourteen stories by the man N. Scott Momaday has called "the supreme ironist among American Indian writers of the twentieth century."

Offers compelling glimpses of modern Native American life and the different ways that Native Americans and whites interact, fight, and resolve their conflicts.

Gerald Vizenor reveals in Native Liberty the political, poetic, visionary, and ironic insights of personal identity and narratives of cultural sovereignty. He examines singular acts of resistance, natural reason, literary practices, and other strategies of survivance that evade and subvert the terminal notions of tragedy and victimry.