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The book shows how to interpret and reveal the hidden meanings of Words. The combinations of vowels and consonants in words are nothing but a formula that can be translated into a form. This form will show the exact intended meaning. This book shows how to learn this method intuitively, but will also explain how it could become a mathematical method that will reveal how every expressed word can be expressed visually. The study reveals ideas how to overcome the difficulty of the fact that many words express a change that occurs over time. This is the first of two volumes. Volume 1 reveals the building blocks of the theory. It includes several separate angles of studies so that readers can slowly learn to understand how vowels and consonants combine differently when applied to a different order and setting. The book will guide you to develop a sense for synesthesia that will gradually develop into form of practical intelligence.
In the second part of Sound-In-Form I apply the knowledge of and insight gained from the theory covered in the first part to the interpretation of a number of scripts. I also examine past theories that went in search of the origins of the scripts as well as focussing on the common meanings of vowels and consonants and the outcomes in localised applications.Where some Elements dominate, a different order results. I introduce the underlying context for Arabic (FIRE), Baybayin (WATER), Hebrew (AIR) and the Adamic written language (EARTH). I also make the link between proto-scripts and interpret the phonemes of Egyptian hieroglyphs and arrange them using the cubit - in 28 parts. I compare the lunar calendar (in 28 parts) to the Arabic, Chinese and Ancient Egyptian outlooks using the associated phonemes as well as shifting perceptions. The Berber and Brahmi writing systems are also covered. For the element of METAL, I have analysed the ancient Japanese Woshite script. I also interpret the Korean Hangul language's balance between the Elements, and finally I seek out the evidence of the phoneme-meanings in interpretations of spectrograms.An additional study is "THE SENSE OF THE WORD", which interprets the underlying structure and Confucian order of the Chinese and Japanese writings systems, once again with the aid of the theoretical structure that can be used to understand phoneme-meanings.
"Sound-in-Form" is my main life's work. It shows a complete new method which I perfected over the last 25 years. It reveals a universal method that allows us to analyse an comprehend the meaning of scripts. It show the method how to interpret the meanings of vowel's and consonants and how to combine their meanings. Its results will reveal a hidden natural logic that proves how its true meaning are locked inside while they reveal exactly its intended directions of thought. It is written in 2 main parts: "the Development of the Word" which reveals the theory and "the Applied Word" which investigates its results mainly in several different scripts. The underlying method how to interpret universal meanings of vowels and consonants makes words visible with their true meanings. In the second part it proves how various scripts translate these universal meanings into a local interpretation. I have collected all to me existing methods for interpreting meanings of vowels and consonants (except for the method of numerology). The last part of the book also explains the Confucian ideas driven behind the Chinese and Japanese scripts. Some people I am sure will surely recognize in this method which reveals the underlying natural language of how Words are formed in its quickly achieved results something like a proof of the existence of the Word of God. In theosophy they already revealed how the Word is like The Logos, a system of consciousness. Remember how some day some mathematicians had discovered the principles of fractals, which forms can show repeated fractures just like rocks, flowers and trees appearing from very simple fractures. My own method, once worked out properly, even further will make this idea even work for all mentionable objects, could methodically reveal all sorts of forms and formations that were expressed in words as forms that can be created over time and space.
The second book of my trilogy is called "The Changeling of Seasons", and is considered 'the Book of Formation(s)'. It further develops the abstract patterns of the Tarot decks (of book 1) in comparison to the Elements and puts them into perspective to even larger contexts, with the year's cycle at its core. It describes the logic behind different interpretations of colours. It describes the dependency to seasonal changes. It describes the abstract patterns of astrological signs. It puts the personal experience into the perspective of phases of evolutions as seen from a group perspective and it slowly introduced already some examples of the meaning of Words of importance.The book slowly gets you into a creational experience via comparison and context. The focus of the second book reveals its associations via the context of revelation and divination. The book accidentally has very fitting, exactly 365 pages, just like the days of the year.
The first book is analysing the 2 existing Tarot cards decks and describes them as stages of awareness. "The Fool's Tarot" is accompanied by a uniquely designed deck with evolving fitting patterns presenting the different phases or cards of the Tarot decks. The 'Fool' is the centre of its system. These series and cards are mainly used to develop an awareness of all of its underlying and reoccurring patterns, ultimately leading to a third phase presented as a third Arcana. The Minor and Major Arcana decks are considered as two initial phases, in which random experiences are made before becoming conscious and receiving a sense of preparedness and alertness. This third Arcana will reveal itself as a restoration phase. The Major Arcana before that was based upon reoccurring phases and patterns of experiences, as how they were sensed via instinct, feelings, ratio, and practice. The third Arcana will always take and describe the various phases of the 4 senses together, leading us to an overview and to the development of different specific forms of intelligence. These last phases correspond to the 32 paths of Wisdom, known already from the 'Sepher Yetsirah'. Here they are called 32 phases of intelligence and awareness. One of these intelligences is the understanding of the system of Vowels and Consonants in Words and Language. Before being able to come to any of the acquired intelligences, one must learn to discern in which phase situations are in, what is already true and what is only in development. In that way, the individual experience can be transformed into something that can be made useful within a larger group of people. While in the first two Arcanas, one learns to cope with situations individually, the third Arcana could give ideas how a leader in a group or within a company could deal with all sorts of situations.Any individual automatically falls back on his personal role of Foolishness. While people tend to use Tarot cards for gaining control of circumstances, by focusing upon the awareness over patterns, it no longer matters what is encountered, but how things are approached. In that way, one's attention gradually shifts to the stage of attention towards a mentality that gives full attention to potential restauration.The Fool's Tarot is part of a trilogy. The second book will show dependencies on larger patterns of formation, like group patterns, a balance between the Elements, or the Year's Cycle. Th e third book will show a full scope vision of direction, a synthesis.Biographical influences of importance are a long membership of the Theosophical Society, a brief encounter to the Gurdjieff movement and an extensive period of art school.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.