Bøker av George Elliott Clarke

In Zanzibar, in 2008, George Elliott Clarke began to write his "Canticles," an epic poem treating the Transatlantic Slave Trade, Imperial and colonial conquest, and the resistance to all these evils. That is the subject of Canticles I (MMXVI) and (MMXVII). In Canticles II (MMXIX) and (MMXX), Clarke rewrites significant scriptures from an oral and "African" or "Africadian" perspective. Now, in Canticles III (MMXXII) and (MMXXIII), Clarke shifts focus--from world history and theology -- to the specific history and bios associated with the creation of the African ("Africadian") Baptist Association of Nova Scotia. By so doing, he concludes the most remarkable epic ever essayed in Canadian letters -- an amalgam of Pound and Walcott -- but entirely and inimitably his own.

In a time of malevolent righteousness, often described as Cancel Culture, J'Accuse is an essay-in-poetry by Canada's Parliamentarian Poet Laureate emeritus that responds to the impacts of being 'cancelled'.

From Toronto's poet laureate (2012-15) comes a new book that is a tour de force in confessional verse. This autobiographical sequence in 980 lines contains 70 stanzas of "skeletal sonnets" composed, astonishingly, in one day and one evening.

Governor General's Award-winning author George Elliott Clarke identifies African-Canadian literature's distinguishing characteristics, argues its relevance to both African Diasporic and Canadian Studies and critiques several of its key creators and texts.

Directions Home explores the trajectories and tendencies of African-Canadian literature within the Canadian canon and the socio-cultural traditions of the African Diaspora.

Chronicles a love affair between a man and a woman of different complexions, cultures, continents, and generations, Sonia Fuentes of Andorra and Luca Xifona of Canada. She is Spanish in heritage; and he is Maltese. She is a Boomer and he is of Generation Y-Not. The poetry consists mainly of unrhymed - or blank - sonnets.

George Elliott Clark draws from this disturbing chapter in Canadian history in his first novel, brilliantly reimagining the lives - and deaths - of the two brothers.