Bøker av Garrett Stewart

"This book explores the cultural and mechanical contrivances that subtend the modernist invention and practice of cinema. This book ponders the place of authorial intention in making a movie: how and when does the author break through the technical/narrative framework that defines what movies are and can do. Important films and filmmakers are discussed"--

In The One, Other, and Only Dickens, Garrett Stewart casts new light on those delirious wrinkles of wording that are one of the chief pleasures of Dickens's novels but that go regularly unnoticed in Dickensian criticism: the linguistic infrastructure of his textured prose. Stewart, in effect, looks over the reader's shoulder in shared...

To take the measure of literary writing, The Deed of Reading convenes diverse philosophic commentary on the linguistics of literature, with stress on the complementary work of Stanley Cavell and Giorgio Agamben.

Explores a panoply of films, from M and Rear Window to The Conversation and The Bourne Legacy, to analyze the ways in which cinema has articulated the concept of surveillance. While it has long been a mainstay of the thriller, surveillance, the author argues, speaks to something more foundational in the very work of the camera.

Brings together linguistically informed criticism with more philosophically oriented literary theory. In this book, the resulting vision of literature is odd, personal, passionate, and even outlandish. It suggests a breakthrough in stylistic criticism so radical as to revitalize the entire field.

Bookwork takes our passion for books to its logical extreme - by studying artists who employ found or simulated books as a sculptural medium and investigating the conceptual labor behind this proliferating international art practice. This title offers an account of works that force attention upon a book's material identity and cultural resonance.