Bøker av Fyodor Dostoyevsky

Fyodor Dostoevsky's short story "The Gambler" is about a young teacher working for a once-rich Russian general. The novella, which was in many respects inspired by Dostoevsky's own addiction to roulette, illustrates this behavior: Dostoevsky finished the book in 1866 under pressure to finish it before he had to pay off gambling debts. The Gambler dealt with gambling, a topic that Fyodor Dostoevsky was familiar with. In 1863, Fyodor Dostoevsky played a hand of cards at a Wiesbaden casino. He played frequently at Baden-Baden, Homburg, and Saxon-Les-Bains from that point on until 1871, when his fervor for gambling petered out. Frequently, he would start out winning a modest sum of money and end up losing much more. Fyodor Dostoevsky and F. T. Stellovsky then entered into a risky contract whereby Stellovsky would acquire the right to publish Dostoevsky's works for nine years, until 1 November 1875, without paying the author any money. This clause would apply if Dostoevsky failed to deliver a novel with 12 or more signatures by 1 November 1866. He jotted down some of his story's details before dictating them to one of Russia's earliest stenographers and his future bride, young Anna Grigorevna, who carefully wrote them out for him.

THE BROTHERS KARAMAZOV:- is a novel written by Fyodor Dostoyevsky and published in 1879-80. This book is generally considered to be his masterpiece and probably greatest novel. Although it is the story of Fyodor Karamazov and his sons Alyosha, Dmitry, and Ivan, it is also a story of patricide and Dostoyevsky introduces a love-hate struggle with psychological and spiritual implications. There persists a search for faith, for God, throughout the novel which is the central idea of the work. Ivan's repudiation of God's world is elucidated in the famous "Legend of the Grand Inquisitor." There is a response to Ivan that is contained in the preaching of the monk Zosima. It clearly states that the secret of universal harmony is achieved not by the mind but by the heart. Alyosha, Dostoyevsky's attempts to create a realistic Christ figure.The focuses on Dostoyevsky's theological and philosophical themes: the origin of evil, the nature of freedom, and the craving for faith. While tracing the dynamics of Ivan's guilt, the author provides a psychological justification for Christian teaching.

Fyodor Dostoevsky's story Notes from Underground was initially presented in the 1864 issue of Epoch. It is a first-person account that takes the form of a "confession." Dostoevsky initially published the piece in Epoch under the title "A Confession." The novella presents itself as an excerpt from the memoirs of a bitter, reclusive, unidentified narrator who lives in St. Petersburg and is a retired civil official (sometimes referred to as the Underground Man by critics). Although the novella's first section is written in the style of a monologue, the narrator's dialogue with the reader is sharply dialogized. In the Underground Man's confession, "there is literally not a single nomologically firm, the undissociated word," according to Mikhail Bakhtin. Every word spoken by The Underground Man anticipates another's, with whom he engages in an obsessive mental debate. The Underground Man criticizes modern Russian philosophy, particularly What Is to Be Done by Nikolay Chernyshevsky. The work might be seen as an attack and a rebellion against determinism, which holds that everything, including human individuality and volition, can be boiled down to natural laws, scientific principles, and mathematical formulae. There are two sections to the novella.

Notes from Underground also translated as Notes from the Underground or Letters from the Underworld) is a novella by Fyodor Dostoevsky, first published in the journal Epoch in 1864. It is a first-person narrative in the form of a "confession": the work was originally announced by Dostoevsky in Epoch under the title "A Confession". The novella presents itself as an excerpt from the memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg. Although the first part of the novella has the form of a monologue, the narrator's form of address to his reader is acutely dialogized. According to Mikhail Bakhtin, in the Underground Man's confession "there is literally not a single monologically firm, undissociated word". The Underground Man's every word anticipates the words of an other, with whom he enters into an obsessive internal polemic.

Fyodor Dostoevsky's Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student living in Saint Petersburg who feels compelled to rob and murder Alyona Ivanovna, an elderly pawn broker and money lender.Raskolnikov believes with the money he steals he could liberate himself from poverty and perform great deeds. After much deliberation, he sneaks into her apartment and commits the murder. In the chaos that ensues, he fails to steal anything valuable, which was the primary purpose of his actions. Although the murder and robbery are bungled, Raskolnikov escapes without being seen and seems to have committed the perfect crime.There's one devastating hitch: the feverish delirium of his own conscience. Raskolnikov is racked with guilt over the crime and worries excessively about being discovered. His ethical justifications disintegrate as he confronts the real-world moral consequences of his deed. Racked with confusion, paranoia, and disgust for what he's done, he falls into a feverish state as his guilt manifests itself in physical ways. His actions grow increasingly strange as if subconsciously, he wants to be discovered. When suspicion falls on him, he's faced with the decision of how he can atone for his terrible crime so he can find psychological relief.As usual in Dostoyevsky's work, he brilliantly explores the psychology of his characters for a deeper understanding of their motivation and conflict central to the human condition. First published in 1866, Crime and Punishment is one of Fyodor Dostoyevsky's most famous novels, and regarded as one of the true masterpieces of world literature.