Bøker av Fyodor Dostoyevsky

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Short Stories, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of Language and Literatures Slavic (including Russian), Languages and Literature

Souvenirs de la maison des morts, un livre classique et rare qui a été considéré comme essentiel tout au long de l'histoire de l'humanité, pour que cet ouvrage ne soit jamais oublié, nous chez Alpha Editions avons fait des efforts pour sa préservation en rééditant ce livre dans un format moderne pour les générations présentes et futures. Tout ce livre a été reformaté, retapé et conçu. Ces livres ne sont pas constitués de copies numérisées de leur ¿uvre originale et le texte est donc clair et lisible.

Dieses Buch "Der Großinquisitor" wurde in der gesamten Menschheitsgeschichte als wichtig angesehen, und damit dieses Werk niemals vergessen wird, haben wir uns bemüht, es zu bewahren, indem wir dieses Buch in einem modernen Format für gegenwärtige und zukünftige Generationen neu herausgeben. Dieses ganze Buch wurde neu formatiert, neu abgetippt und gestaltet. Diese Bücher bestehen nicht aus gescannten Kopien ihrer Originalarbeit und daher ist der Text klar und lesbar.

Les possédés, un livre classique, a été considéré comme important tout au long de l'histoire humaine, et pour que cet ouvrage ne soit jamais oublié, nous, aux éditions Alpha, nous sommes efforcés de le préserver en republiant ce livre dans un format moderne pour les générations présentes et futures. Tout ce livre a été reformaté, retapé et conçu. Ces livres ne sont pas constitués de copies numérisées de leur travail original et, par conséquent, le texte est clair et lisible.

"Poor Folk" is the first novel by Fyodor Dostoyevsky, published in 1846. The novel is written as a series of letters between two impoverished individuals in St. Petersburg, Makar Devushkin and Barbara Dobroselova. Makar is a middle-aged clerk, while Varvara is a young seamstress. The two characters develop a close relationship through their letters, sharing their struggles and dreams. Makar is in love with Barbara, but she does not reciprocate his feelings. Instead, she becomes engaged to a wealthy merchant, which devastates Makar. The novel explores themes of poverty, social inequality, and unrequited love. Dostoyevsky portrays the lives of the poor with sympathy and compassion, depicting their daily struggles and the emotional toll of their circumstances. Despite the novel's tragic ending, Dostoyevsky's portrayal of Makar and Barbara's relationship is touching and demonstrates the power of human connection in difficult circumstances. Overall, "Poor Folk" is a poignant and insightful exploration of the human experience of poverty and the resilience of the human spirit.

Crime and Punishment - A Russian realistic novel is an unchanged, high-quality reprint of the original edition of 1886.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

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Fyodor Dostoevsky, a Russian novelist from the 19th century, wrote The Idiot. It was initially serialized in The Russian Messenger in the years 1868-1869 The title is a wry allusion to the story's protagonist, Prince Lev Nikolayevich Myshkin, a young man whose benevolence, open-hearted innocence, and guilelessness cause many of the worldlier persons he meets to believe falsely that he lacks wisdom and understanding. After spending four years receiving treatment for an epileptic illness in a Swiss facility, Prince Myshkin is now returning to Russia. He meets Parfyon Semyonovich Rogozhin, a young trader, and is deeply moved by his ardor for a lady. Nastasya Filippovna struggles to decide between Myshkin and Rogozhin for the ensuing six months. They separate as friends despite their conflict, but the Prince is still worried. Aglaya seems to share Myshkin's fascination as he starts to fall in love with her. She frequently makes fun of him or violently chastises him for his innocence and excessive humility. A dinner party is planned since her mother thinks it's appropriate to introduce the Prince to their elite group. Although Aglaya tries to instruct him on proper behavior since she does not share her parents' admiration for these individuals, she curtly advises him to be as quirky as he pleases.

Notes from the Underground , has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

Notes from Underground, also translated as Notes from the Underground or Letters from the Underworld) is a novella by Fyodor Dostoevsky, first published in the journal Epoch in 1864. It is a first-person narrative in the form of a "confession": the work was originally announced by Dostoevsky in Epoch under the title "A Confession".The novella presents itself as an excerpt from the memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg. Although the first part of the novella has the form of a monologue, the narrator's form of address to his reader is acutely dialogized. According to Mikhail Bakhtin, in the Underground Man's confession "there is literally not a single monologically firm, undissociated word". The Underground Man's every word anticipates the words of an other, with whom he enters into an obsessive internal polemic.The Underground Man attacks contemporary Russian philosophy, especially Nikolay Chernyshevsky's What Is to Be Done? More generally, the work can be viewed as an attack on and rebellion against determinism: the idea that everything, including the human personality and will, can be reduced to the laws of nature, science and mathematics