Bøker av Frank A. Salamone

In this book, Frank A. Salamone looks at the United States in the 1950s through its popular culture. He examines movies, transportation, television, advertising, music, fads, and all other aspects of the period. Its famous celebrities are placed in context and examined from that perspective.

Fieldwork has been combined with archival research conducted in the United Kingdom, the United States, and Nigeria to explicate the manner in which the Sudan United Mission strove to create a Christian Northern Nigerian identity in order to combat a Muslim Hausa identity. To accomplish this transformation, the missionaries created a home for freed Nigerian slaves; it was named after Lucy Guinness Kumm, one of its founders. The story of the home and its use takes place in the midst of Lord Lugard's colonial ideal of indirect rule and the working misunderstanding in which local rulers presumably conducted local affairs in an independent manner free from direction from the colonial government. The reality was much different and each of the participants chose to 'misunderstand' the actions, motives, and histories of the others. These included indigenous Muslim rulers, so-called 'pagans,' colonial officials, and missionaries. In the midst of numerous intrigues, the Sudan United Mission took care of over 200 freed slave children and initiated significant educational reforms. The depiction of a plural society and its expatriates is a major contribution. The book has value for studies in education, colonial history, and cultural anthropology.

This book is the culmination of thirty-nine years of anthropological thought and research and many field trips to Nigeria. This work looks at the notion of identity formation and its relationship to history, religion, warfare, gender, economics, various other dimensions of Hausa life, minority group relationships, and creolization.

In Reflections on Theory and History in Anthropology, author Frank Salamone examines his more than 30 years of experience in the field of cultural anthropology and offers an optimistic, yet realistic, appraisal of the field's past, present, and future.

The Italians of Rochester were unique because of the history, culture, and society to which they adapted. This photo-book is a record of the city and its Italian community, showing mainly the happy times in the city and of the community, for the joys always trumped the problems.

Scholars, especially Napoleon Chagnon, have portrayed the Yanomami as fierce people. Yanomami themselves resent that portrayal and state that they are no more fierce than those who label them. Moreover, a number of scholars argue that such a portrayal has had dire consequences for these Indian people.