Bøker av Frances E. Dolan

Frances E. Dolan examines the puzzling pronouns and puns, the love poetry, mischief, and disguises of Twelfth Night, exploring its themes of grief, obsessive love, social climbing and gender identity, and helping you towards your own close-readings.

Through in-depth studies of composting and soil amendment, local food, winemaking, and hedgerows, Digging the Past illuminates how the seventeenth century continues to shape both material practices and popular ways of imagining and describing what farming should be and do.

In Whores of Babylon, Frances E. Dolan offers a study of the central role that Catholics and Catholicism played in early modern English law, literature, and politics. This study examines legal and literary representations during three crises in Protestant/Catholic relations, the Gunpowder Plot (1605), the Popish Plot and Meal Tub Plot (1678-80).

Frances E. Dolan examines the puzzling pronouns and puns, the love poetry, mischief, and disguises of Twelfth Night, exploring its themes of grief, obsessive love, social climbing and gender identity, and helping you towards your own close-readings.

"The Early Modern Englishwoman" is designed to make available a comprehensive and focused collection of writings in English from 1500 to 1700, both by women and for and about women. The volumes reproduce carefully chosen copies of the texts, incorporating significant variants.

Examining seventeenth-century crises of evidence and genres of evidence on which both literary critics and historians now depend, True Relations explores the notion that we apprehend truth through other people's relations of it and that those relations, and our own relation to them, are a function of social relationships in conflict.

Marriage is often described as a melding of two people into one. But what-or who-must be lost, fragmented, or buried in that process? Dolan reveals the contradiction that lies at the very heart of modern marriage. We have inherited from early modern England a model of marriage, she contends, so flawed that its logical consequence is conflict.

Looking back at images of violence in the popular culture of early modern England, we find that the specter of the murderer loomed most vividly not in the stranger, but in the familiar. A gripping exploration of seventeenth-century accounts of domestic murder in fact and fiction, this book is the first to ask why.