Bøker av Frances Borzello

With an exploration of female artists and self-portraits, this is a demonstration of originality in works of haunting variety.

A new edition of one of the first books to focus on the world of women artists and their practice.

Explores the role of the nude in 20th- and 21st-century art and looks at the work of a range of international artists creating contemporary nudes. In this title, the story begins with a tale of life, death and resurrection an investigation into how and why the nude has survived and flourished in an art world that prematurely announced its demise.

'I wrote my thesis because it seemed incredible that a nineteenth century cleric could believe that paintings had the power to civilise his community of London's poorest. Yet that is what he did believe and his ideas were exported round the world. I still don't know whether he was right...' Frances BorzelloWhat is the purpose of art? Aside from aesthetic considerations, does it have socio-political functions? Art critic Frances Borzello reflected on this in her doctoral thesis, later expanded for publication in 1987 as Civilising Caliban. Therein she traced a link between Victorian-era exhibitions mounted for Whitechapel's poor by Anglican vicar Samuel Barnett to the munificent post-war patronage of the Arts Council. In a new preface to this edition Borzello reflects on how the idea of 'art for all' has fared - along with the questions of who pays for it and what good it achieves.

Modelling is a boring, tiring, badly paid profession. Yet out of them we have created an image of a woman dressed only for seduction who probably sleeps with the artist, cooks for him, and inspires his best work. In ten chapters, the author covers various aspects of this much misunderstood activity.