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Asylums is an analysis of life in "total institutions"--closed worlds like prisons, army camps, boarding schools, nursing homes and mental hospitals. It focuses on the relationship between the inmate and the institution, how the setting affects the person and how the person can deal with life on the inside.
The dwarf, the disfigured, the blind man, the homosexual, the ex-mental patient and the member of a racial or religious minority all share one characteristic: they are all socially "abnormal". This a study of of the ways in which a stigmatized person can develop a more positive social identity.
Presents an analysis of the structures of social encounters from the perspective of the dramatic performance. This title shows us how people use such 'fixed props' as houses, clothes, and job situations; how they combine in teams resembling secret societies; and, how they adopt discrepant roles and communicate out of character.
This book brings together five of Goffman's seminal essays: "Replies and Responses," "Response Cries," "Footing," "The Lecture," and "Radio Talk."
A total institution is defined by Goffman as a place of residence and work where a large number of like-situated, individuals, cut off from the wider society for an appreciable period of time, together lead an enclosed, formally administered round of life
In a brilliant series of books about social behavior, including The Presentation of Self in Everyday Life, Asylums, and Stigma, Erving Goffman has exposed all that is at stake when people meet face to face. Goffman's work, once of the great intellectual achievements of our time, is an endlessly fascinating commentary on how we enact ourselves by our responses to and our readings of other people. From the exemplary opening essay of Interaction Ritual, "On Face-Work," -a full account of the extraordinary repertoire of maneuvers we employ in social encounters in order to "save face"-to the final, and classic, essay "Where the Action Is,"-an examination of people in risky occupations and situations: gamblers, criminals, coal miners, stock speculators-Goffman astounds us with the unexpected richness and complexity of brief encounters between people. For Goffman, as for Freud, the extreme cases are of interest because of the light they shed on the normal: The study of the trapeze artist is worthwhile because each of us is on the wire from time to time.
Until recently, to be in a "public place" meant to feel safe
"Not then, men and their moments. Rather, moment and their men," writes Erving Goffman in the introduction to his groundbreaking 1967 Interaction Ritual, a study of face-to-face interaction in natural settings, that class of events which occurs during co-presence and by virtue of co-presence
A total institution is defined by Goffman as a place of residence and work where a large number of like-situated, individuals, cut off from the wider society for an appreciable period of time, together lead an enclosed, formally administered round of life
The ability to read accurately the 'informing signs' by which strangers indicate their relationship to one another in public or semi-public places without speaking, has become as important as understanding the official written and spoken language of the country. This title provides a grammar of the unspoken language used in public places.
The two essays in this classic work by sociologist Erving Goffman explore the calculative, gamelike aspects of human interaction.
Not then, men and their moments. Rather, moments and their men, writes Erving Goffman in the introduction to his groundbreaking 1967 Interaction Ritual, a study of face-to-face interaction in natural settings, that class of events which occurs during co-presence and by virtue of co-presence. The ultimate behavioral materials are the glances, gestures, positionings, and verbal statements that people continuously feed into situations, whether intended or not. This is an interesting account of daily social interaction viewed with a new perspective for the logic of our behavior in ordinary circumstances.
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