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The Gorgeous Nothings - the first full-color facsimile edition of Emily Dickinson's manuscripts ever to appear - is a deluxe edition of her late writings, presenting this crucially important, experimental late work exactly as she wrote it on scraps of envelopes. A never-before-possible glimpse into the process of one of our most important poets.The book presents all the envelope writings - 52 - reproduced life-size in full color both front and back, with an accompanying transcription to aid in the reading, allowing us to enjoy this little-known but important body of Dickinson's writing. Envisioned by the artist Jen Bervin and made possible by the extensive research of the Dickinson scholar Marta L. Werner, this book offers a new understanding and appreciation of the genius of Emily Dickinson.
Dickinson's poems, more than those of any other poet, resist translation into the medium of print. This elegant edition presents all of her manuscript books and unsewn fascicle sheets--1,148 poems on 1,250 pages--restored insofar as possible to their original order. The manuscripts are reproduced with startling fidelity in 300-line screen.
In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets in our literature.Emily Dickinson (1830-86) was born in Amherst, Massachussetts, where she lived most of her life as a recluse, seldom leaving the house or receiving visitors. She published just a handful of poems in her lifetime, her first collection appearing posthumously in 1890.
During Emily's life only seven of her 1775 poems were published. This collection of her work shows her breadth of vision and a passionate intensity and awe for life, love, nature, time and eternity. Once branded an eccentric Dickinson is now regarded as a major American poet.
When the complete Letters appeared in 1958, Robert Kirsch wrote in the L.A. Times: "The missives offer access to the mind and heart of one of America's most intriguing literary personalities." This selection provides crucial texts for the appreciation of America literature, women's experience in the 19th century, and literature in general.
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