Bøker av Else Lasker-Schuler

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Wenn mein Herz gesund wär, spräng ich zuerst aus dem Fenster; dann ging ich in den Kientopp und käm nie wieder heraus. Es ist mir genau so, als ob ich das große Los gewonnen hab¿ und noch nicht ausbezahlt bin, oder auf einer Pferdelotterie einen Gaul gewonnen hab¿ und keinen Stall ¿umsonst¿ auftreiben kann. Das Leben ist doch eigentlich ein Wendeltreppendrama, immer so rund herauf und wieder hinunter, immer um sich selbst wie bei den Sternen. Ich bin in freudiger Verzweiflung, in verzweifelter Freudigkeit; am liebsten machte ich einen Todessprung oder einen Jux. Meine Freundin Laurentia zecht wie ein Fuchs, sie studiert die Sprache der alten Herren, ich meine Griechisch und Lateinisch, und macht gute Fortschritte. Aber was geht mich das alles an; ich will nichts wissen, nichts. Wenn es nur nicht klopfen würde!

Critics have called Else Lasker-Schuler the greatest of all German women poets and one of the finest Jewish poets. This selection of translations by Robert Newton, supplemented by a biographical and critical introduction and a selected bibliography, was the first substantial presentation of her works in English at its original publication in 1982.

Presents an English translation of Lasker-Schuler's prose - "Concert", which was one of the last books published by a Jew in Germany before Hitler came to power. It contains pieces that vary greatly in theme, mood, length, and complexity, yet they are unified by the medium and by the distinct and lyrical personality of the artist.

The poems collected in this bilingual volume represent the full range of Else Lasker-Schuler's work, from her earliest poems until her death. Haxton's translation embraces the poems' lyrical imagery, remaining faithful to the poet's vision while also capturing the cadence and rhythms of the poetry.