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'I loved it and could have read a thousand more pages of it.' - Emma ClineSelin, a tall, highly strung Turkish-American from New Jersey turns up at Harvard and finds herself dangerously overwhelmed by the challenges and possibilities of adulthood.
Selin is the luckiest person in her family: the only one who was born in America and got to go to Harvard. Now it’s sophomore year, 1996, and Selin knows she has to make it count. The first order of business: to figure out the meaning of everything that happened over the summer. Why did Selin’s elusive crush, Ivan, find her that job in the Hungarian countryside? What was up with all those other people in the Hungarian countryside? Why is Ivan’s weird ex-girlfriend now trying to get in touch with Selin? Guided by her literature syllabus and by her more worldly and confident peers, Selin reaches certain conclusions about the universal importance of parties, alcohol, and sex, and resolves to execute them in practice—no matter what the cost. Next on the list: international travel. Unfolding with the propulsive logic and intensity of youth, Either/Or is a landmark novel by one of our most brilliant writers. Hilarious, revelatory, and unforgettable, its gripping narrative will confront you with searching questions that persist long after the last page.
The new novel from the bestselling author of The Idiot follows one young woman's quest for self-knowledge, as she travels abroad and tests the limits of her newfound adulthood. 'Elif Batuman is the queen of the campus novel... Enchanting' Sunday TimesSELIN IS THE LUCKIEST PERSON IN HER FAMILY:The only one who was born in America and got to go to Harvard. Now it's her second year, and Selin knows she has to make it count. The first order of business: to figure out the meaning of everything that happened over the summer...On the plus side, her life feels like the plot of an exciting novel. On the other hand, why do so many novels have crazy, abandoned women in them? And how does one live a life as interesting as a novel - a life worthy of becoming a novel - without turning into a crazy, abandoned woman oneself?'Stupendous... Hilarious... Batuman is a genius' Vogue'This novel wins you over in a million micro-observations' New York Times'Searingly smart' Evening Standard
SELIN IS THE LUCKIEST PERSON IN HER FAMILY:The only one who was born in America and got to go to Harvard. Now it's her second year, 1996, and Selin knows she has to make it count. The first order of business: to figure out the meaning of everything that happened over the summer. Why did Selin's elusive crush, Ivan, find her that job in the Hungarian countryside? What was up with all those other people in the Hungarian countryside? Why is Ivan's ex-girlfriend now trying to get in touch with her? On the plus side, her life feels like the plot of an exciting novel. On the other hand, why do so many novels have crazy, abandoned women in them? How does one live a life as interesting as a novel-a life worthy of becoming a novel-without becoming a crazy, abandoned woman oneself?Guided by her literature syllabus and by her more worldly and confident peers, Selin reaches certain conclusions about the universal importance of parties, alcohol, and sex, and resolves to execute them in practice - no matter the cost. Next on the list: international travel.Unfolding with the propulsive logic and intensity of youth, Either / Or is a landmark novel by one of our most brilliant writers. Hilarious, revelatory, and unforgettable, its gripping narrative will confront you with searching questions that persist long after the last page.
One of The Economist's 2011 Books of the Year From the author of Either/Or and The Idiot, Elif Batuman's The Possessed presents the true but unlikely stories of lives devoted-Absurdly! Melancholically! Beautifully!-to the Russian Classics. No one who read Batuman's first article (in the journal n+1) will ever forget it. "Babel in California" told the true story of various human destinies intersecting at Stanford University during a conference about the enigmatic writer Isaac Babel. Over the course of several pages, Batuman managed to misplace Babel's last living relatives at the San Francisco airport, uncover Babel's secret influence on the making of King Kong, and introduce her readers to a new voice that was unpredictable, comic, humane, ironic, charming, poignant, and completely, unpretentiously full of love for literature. Batuman's subsequent pieces-for The New Yorker, Harper's Magazine, and the London Review of Books- have made her one of the most sought-after and admired writers of her generation, and its best traveling companion. In The Possessed we watch her investigate a possible murder at Tolstoy's ancestral estate. We go with her to Stanford, Switzerland, and St. Petersburg; retrace Pushkin's wanderings in the Caucasus; learn why Old Uzbek has one hundred different words for crying; and see an eighteenth-century ice palace reconstructed on the Neva. Love and the novel, the individual in history, the existential plight of the graduate student: all find their place in The Possessed. Literally and metaphorically following the footsteps of her favorite authors, Batuman searches for the answers to the big questions in the details of lived experience, combining fresh readings of the great Russians, from Pushkin to Platonov, with the sad and funny stories of the lives they continue to influence-including her own.
Elif Batuman's comical treatise on reading Russian literature introduces an exciting and original new talent.
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