Bøker av Edwin A. Abbott

"How to Write Clearly: Rules and Exercises on English Composition" is a guidebook authored by Edwin A. Abbott. Edwin Abbott (1838-1926) was an English schoolmaster and theologian. "How to Write Clearly" is a practical manual that focuses on improving English composition skills. The book likely provides a set of rules and guidelines for effective writing, covering various aspects of grammar, style, and clarity. Abbott use examples and exercises to help readers practice and reinforce the concepts discussed. Given Abbott's background and the time in which he lived, it's reasonable to expect that the book adheres to traditional principles of English grammar and composition. The goal is likely to assist readers in honing their writing skills, making their expression clearer and more effective.

Descubre el mundo fascinante de "Flatland", el clásico de la literatura escrita por Edwin A. Abbott en 1884. En esta novela satírica, Abbott crea un universo plano donde las figuras geométricas planas viven y se relacionan en una sociedad estructurada y rígida.A través de los ojos del protagonista, un cuadrado, exploramos el mundo bidimensional de Flatland y las dimensiones superiores. Abbott utiliza esta exploración para cuestionar la rigidez social y política de la sociedad victoriana en la que vivía.Disponible en formato eBook y audiolibro en Google Play, "Flatland" es una lectura imprescindible para los amantes de la ciencia ficción, la literatura satírica y la crítica social. Con una interfaz de usuario fácil de usar y navegación intuitiva, podrás explorar el mundo plano de Flatland con facilidad.No te pierdas esta oportunidad de descubrir una obra maestra de la literatura que ha resistido la prueba del tiempo y sigue siendo relevante hoy en día. ¡Descarga "Flatland" en Google Play ahora y sumérgete en un mundo único y fascinante!

Ce pasteur anglais, en marge de ses recherches théologiques, a écrit à la fin du XIXe siècle ce jeu d'esprit de «sciencefiction mathématique»: Carré, habitant de Flatland, le pays à deux dimensions, nous conte comment il a été convié à découvrir les mystères de la troisième dimension, et nous invite à comprendre la situation et le mode de vie de son peuple.

Flatland - A romance of many dimensions is an unchanged, high-quality reprint of the original edition of 1884.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Very popular amongst mathematics, physics, and computer science students, Flatland: A Romance of Many Dimensions is an 1884 satirical novella by the English schoolmaster Edwin Abbott. Writing pseudonymously as "a square", Abbott used the fictional two-dimensional world of Flatland to offer pointed observations on the social hierarchy of Victorian culture. However, the novella's more enduring contribution is its examination of dimensions; in a foreword to one of the many publications of the novella, noted science writer Isaac Asimov described Flatland as "The best introduction one can find into the manner of perceiving dimensions" Several films have been made from the story, including a feature film in 2007 called Flatland. Other efforts have been short or experimental films, including one narrated by Dudley Moore and a short film with Martin Sheen titled Flatland: The Movie.

With wry humor and penetrating satire, Flatland takes us on a mind-expanding journey into a different world to give us a new vision of our own. A. Square, the slightly befuddled narrator, is born into a place limited to two dimensions—irrevocably flat—and peopled by a hierarchy of geometrical forms. In a Gulliver-like tour of his bizarre homeland, A. Square spins a fascinating tale of domestic drama and political turmoil, from sex among consenting triangles to the intentional subjugation of Flatland's females. He tells of visits to Lineland, the world of one dimension, and Pointland, the world of no dimension. But when A. Square dares to speak openly of a third, or even a fourth, dimension, his tragic fate climaxes a brilliant parody of Victorian society. An underground favorite since its publication in England in1884, Flatland is as prophetic a science fiction classic as the works of H. G. Wells, introducing aspects of relativity and hyperspace years before Einstein's famous theories. And it does so with wonderful, enduring enchantment. With an Introduction by Valerie Smith and a New Afterword by John Allen Paulos

This print edition of Flatland: A Romance of Many Dimensions contains all of the original and vital illustrations, allowing the reader to comprehend the geometry described in the satirical story.First published in the 1880s, Flatland is a playful satire of the hierarchical class structure which Abbott perceived as defining the Victorian society in which he lived. The titular country has a population consisting of different shapes; their shape denotes their place in the society - the more sides the shape has, and the more regular their shape, the higher the place they occupy in the social strata.The ordinary, day-to-day existence of the author (A. Square) is brought into question when he experiences a dream. In it a shape with depth, a Sphere, announces its existence and origin in Spaceland; a place with a third dimension. Thrilled by the revelation, the Square postulates that perhaps there are actually four, five or more dimensions constituting the world.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Edwin Abbott was a mathematician who used the idea of 'Flatland' - a world of just two dimensions - to poke fun at caste-ridden Victorian Society. The book also allowed him to explore the nature of dimensions and our own perceptual limitations. In the book a three-dimensional being can view the workings of 'Flatland' yet remains invisible to its two-dimensional inhabitants. Abbott then leads the reader into the contemplation of new dimensions that may yet exist beyond our own 'real world' of height, width and length. Similar developments in Modern Physics have greatly increased 'Flatland's' popular appeal, with Isaac Asimov hailing the book as "the best introduction into... perceiving dimensions".

The object of this book is to place before English readers this Common Tradition, as being a tradition earlier than any of our existing Gospels, and consequently exhibiting the closest approximation we possess to some parts of the original narrative from which our Gospels are derived. . . . It is possible that for some time the Evangelistic records were handed down not in writing, but by means of oral tradition, like the Mishna of the Jews; which is said to have been editorially arranged about the end of the second century, but not committed to writing till afterwards. A tradition intended to be handed down orally might naturally aim at brevity; and the following extract from a condensed and interesting essay on the Mishna will shew that, at all events in Jewish tradition, brevity was occasionally accompanied by its proverbial danger, obscurity. --from the Introduction

Contents Introduction Book I: Johannine Key-Words 1. Believing 2. Authority 3. Johannine Synonyms Book II: Johannine and Synoptic Disagreements 1. Johannine Deviations from Synoptic Vocabulary 2. Synoptic Deviations from Johannine Vocabulary Book III: Johannine and Synoptic Agreements 1. Words Peculiar to John and Mark 2. Words Peculiar to John and Matthew 3. Words Peculiar to John and Luke 4. Words Peculiar to John, Mark, and Matthew 5. Words Peculiar to John, Mark, and Luke 6. Words Mostly Peculiar to John, Matthew, and Luke Conclusion

This sophisticated work of Greek grammar and philology is a follow-up to Abbott's monumental work: Johannine Vocabulary. These volumes are part of his six-volume series, Diatessarica. CONTENTS Introduction Book I: Forms and Combinations of Words Cases Pronouns Tense Book II: Arrangement, Variation, and Repetition of Words Arrangement and Variation Repetition Connexion of Sentences Appendix I: Twofold Meanings and Events Appendix II: Readings of Codex Vaticanus not Adopted by Westcott and Hort

Edwin A. Abbott (1838-1926) was a British headmaster and theological scholar best known as the author of Flatland, an 1884 novella which was influential in the development of science fiction. Originally published in 1917, this book forms the final section of a 5 volume work by Abbott on the four canonical gospels and the relationship between them.

Edwin A. Abbott (1838-1926) was a British headmaster and theological scholar best known as the author of Flatland, an 1884 novella which was influential in the development of science fiction. Originally published in 1916, this book forms section 4 of a 5 volume work by Abbott on the four canonical gospels and the relationship between them.

Edwin A. Abbott (1838-1926) was a British headmaster and theological scholar best known as the author of Flatland, an 1884 novella which was influential in the development of science fiction. Originally published in 1915, this book forms section 3 of a 5 volume work by Abbott on the four canonical gospels and the relationship between them.

Edwin A. Abbott (1838-1926) was a British headmaster and theological scholar best known as the author of Flatland, an 1884 novella which was influential in the development of science fiction. Originally published in 1914, this book forms section 2 of a 5 volume work by Abbott on the four canonical gospels and the relationship between them.

Edwin A. Abbott (1838-1926) was a British headmaster and theological scholar best known as the author of Flatland, an 1884 novella which was influential in the development of science fiction. Originally published in 1913, this book forms section 1 of a 5 volume work by Abbott on the four canonical gospels and the relationship between them.

Originally published in 1910, this book contains an exhaustive study of the use of the phrase 'Son of Man' in the Old and New Testaments. Abbott illustrates how Christian writers used the mystical trope present in many books of Jewish prophecy to convey their belief in Christ as an eschatological figure foretold by Scripture.

Originally published in 1912, this book provides an extensive review of Gospel theology and Christology through the lens of the pseudepigraphical Psalms or Odes of Solomon. Abbott compares the language of the Gospels and other early Christian writings with the Psalms, and provides a translation of them, with alternative readings, at the back of the book.