Bøker av Edward Grazda

A spectacular photographer's daybook, in the tradition of Peter Beard, Bill Burke, and Robert Frank, detailing the wanderlust of faraway travel and profound discovery in a part of the world few desire to wander.Asia Calling is longtime mid-east photographer Edward Grazda's art journal recap of his decades traversing the globe during times of immense social and cultural change in the Asian continent. Much like Peter Beard and Bill Burke before, Grazda's journal entries and diaristic graphics, along with his image manipulation and conceptual positionings of his photographs and writings make this no mere photo notebook, but rather an indelible stamp, a graphic passport if you will, of people and places, frozen in time, but now alive with invigorating juxtapositions and dynamic sequencing, a filmic recap of a place and time long gone but still there.  Starting in 1980, Grazda traveled to Hong Kong, Thailand, Burma, Vietnam, Laos, India, China, Pakistan, and Afghanistan. This was a time of change in Asia–globalization, wars, drugs, tourism, and religion remaking ethnic traditions and governments alike. Grazda's photos–with a few fictional and literary texts–is your passport to that long time ago.

New York''s world-renowned Bowery in the early 70s as seen through the eyes of one of the great documentarians of the city''s underbelly, Ed Grazda.Up until the late 20th century the Bowery was a notorious place of cheap hotels and bars–New York''s infamous skid row, where the city''s down-and-out found each other and made do the best they could. Inspired by Lionel Rogosin''s classic 1956 film On the Bowery, Ed Grazda''s On The Bowery shows the weathered life and times he encountered on the Bowery in 1971. Perhaps the grittiest part of the city in those years, Grazda captured all the sorrow, hardship, and general bad luck upon the faces of those who called the Bowery their home. The unfiltered and barrierless street view is where Grazda has always been most comfortable shooting, and once again we are the beneficiaries of his intrepid spirit. Captured before gentrification changed the strip and surrounding neighborhood into a tourist destination with museums, upscale retailers, clubs, and fancy restaurants, Grazda provides an important reminder to us all that it was only a few decades ago  that the Bowery was a much different scene–and that New York never stops evolving.