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This book has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.
Literary Nonfiction. Essays. Art. Edited with an introduction by Martina Droth. Afterword by David J. Getsy. Author, translator, librarian, and scholar Edmund Gosse (1849-1928) was one of the most important art critics writing about sculpture in late- nineteenth century Britain. In 1895, he published the THE PLACE OF SCULPTURE IN DAILY LIFE, a quirky, four-part series of essays that ran in the Magazine of Art under the headings "Certain Fallacies," "Sculpture in the House," "Monuments," and "Decoration." Often cited but never before reprinted, Gosse's essays sought to demystify sculpture and to promote its patronage and appreciation. Martina Droth's introduction and commentary contextualize the essays within their era, providing insight into the world of late-Victorian sculpture. David J. Getsy's afterword connects the essays' themes to the present, offering a resonant perspective on the sculpture of today.
The book "" Gossip in a Library "" has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.
Thomas Gray (1716-71) was one of the most influential poets of the eighteenth century, and is probably best remembered today for his Elegy Written in a Country Churchyard. In this biography of Gray, first published in the first 'English Men of Letters' series in 1882, poet and critic Edmund Gosse (1849-1928) delivers a sympathetic account of his subject, offering both a traditional chronological narrative of Gray's life, from his schooldays at Eton, through his travels abroad and his academic career at Cambridge (though he was appointed professor of modern history in 1768, failing health meant that he never delivered any lectures), and an analysis of his poetry. In the book's last chapter, Gosse laments the lack of recognition that Gray had received in England since his death: Dr Johnson is criticised especially for his writings on Gray - 'barren and meagre of fact to the last degree'.
Edmund Gosse (1849-1928), best known for his memoir Father and Son, was one of the foremost literary critics of his day, even though he had not received a university education. Invited to give the prestigious Clark Lectures at Cambridge, he developed the materials for this book, first published in 1885. Gosse sets out his theory of classical poetry, analysing its rise in the seventeenth century in opposition to freer, more romantic blank-verse forms. The book became the subject of a famously excoriating forty-page review by Oxford-educated critic John Churton Collins. While Collins' estimation of the inaccuracies in Gosse's work was largely correct, the review went far beyond constructive appraisal and caused a literary scandal, though Gosse's reputation was not permanently damaged. This book and the controversy it caused form part of the story of English literature as it established itself as a professional academic discipline.
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