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The Shagganappi, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of Language and Literatures American and Canadian literature
Emily Pauline Johnson, who was also known by the Mohawk name Tekahionwake, was a Canadian poet and author born in 1861. Born to a Mohawk father and an English mother, she was known for introducing indigenous culture to a wider North American and European audience.In Legends of Vancouver, perhaps her best-known prose work, Johnson tells stories of the Squamish people, as relayed to her by Chief Joe Capilano, whom she befriended upon moving to Vancouver in 1909. She provides her own framing for these stories, placing them in the context of her relationship with the Squamish people.In 1911, a group of Johnson¿s friends collected this series of stories, that had previously been published in the Daily Province, in order to raise funds to support her as she struggled with poverty and health issues. In the intervening years, Legends of Vancouver has become a foundational piece of Vancouver¿s literary heritage.
Canadian Born (1895) is a collection of poems by E. Pauline Johnson. Revered as one the foremost indigenous Canadian poets of her time, Johnson was a prolific writer whose works explored her Mohawk heritage while shedding light on the racism and persecution faced by indigenous peoples across North America. Canadian Born captures Johnson¿s range as a poet in tune with the Romantic tradition without erasing her dualistic sense of identity as a woman of Mohawk and English heritage. Introducing her collection with a brief inscription, the poet lays out the political purpose of her work addressed to all ¿Canadian born¿ individuals, ¿whether he be [her] paleface compatriot who has given to [her] his right hand of good fellowship,¿ or ¿that dear Red brother of whatsoever tribe or Province.¿ No matter the identity of her reader, Johnson hopes to show them that ¿White Race and Red are one if they are but Canadian born.¿ Whether or not she succeeds in her mission is up to the reader to decide, and yet the beauty and power of her poetry cannot be denied. Personal and political, patriotic and critical of colonial misdeeds, Johnson captures as much as she can of the Canadian experience, paying equal regard to a mariner longing to return to ¿the sea, the hungry seä and an Indian corn husker with ¿Age in her fingers, hunger in her face, / Her shoulders stooped with weight of work and years.¿ With a beautifully designed cover and professionally typeset manuscript, this edition of E. Pauline Johnson¿s Canadian Born is a classic of Canadian literature reimagined for modern readers.
The White Wampum (1895) is the debut poetry collection of E. Pauline Johnson. Originally published in London, The White Wampum launched her career as one of Canadäs most distinguished artists. Revered as one the foremost indigenous poets of her time, Johnson was a prolific writer whose works explored her Mohawk heritage while shedding light on the racism and persecution faced by indigenous peoples across North America. The White Wampum captures Johnson¿s range as a poet in tune with the Romantic tradition without erasing her dualistic sense of identity as a woman of Mohawk and English heritage. Choosing to emphasize the former, Johnson, who also went by Tekahionwake, her great-grandfather¿s name, adopts the persona of a Mohawk wife devoted to her husband, a powerful warrior: ¿I am Ojistoh, I am she, the wife / Of him whose name breathes bravery and life / And courage to the tribe that calls him chief. / I am Ojistoh, his white star, and he / Is land, and lake, and sky¿and soul to me.¿ When members of the rival Huron tribe capture Ojistoh, their plan for retribution fails to account for her own strength and willpower. Outnumbered and unarmed, she remains certain she will return to her husband alive. In ¿The Camper,¿ Johnson invokes the beauty and simplicity of life on the plains, erasing for a moment all distinction between man and god, heaven and earth: ¿Night neath the northern skies, lone, black, and grim: / Nought but the starlight lies twixt heaven, and him. / Of man no need has he, of God, no prayer; / He and his Deity are brothers there.¿ With a beautifully designed cover and professionally typeset manuscript, this edition of E. Pauline Johnson¿s The White Wampum is a classic of Canadian literature reimagined for modern readers.
E. Pauline Johnson, also known as Tekahionwake, is remarkable as one of a very few early North American Indigenous poets and fiction writers. More extraordinary still, she became both a canonical poet and a literary celebrity. This edition collects a diverse range of Johnson's writings on what was then called "the Indian question" and on the question of her own complex Indigenous identity.
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