Bøker av Duncan MacMillan

A discussion of sensibility, sensation, perception and painting, Scotland and the Origins of Modern Art is an original work which argues that the eighteenth-century Scottish philosophy of moral sense played a central role in shaping ideas explored by figures such as Cezanne and Monet over one hundred years later. Proposing that sensibility not reason was the basis of morality, the philosophy of moral sense gave birth to the idea of the supremacy of the imagination. Allied to the belief that the imagination flourished more freely in the primitive history of humanity, this idea became a potent inspiration for artists. The author also highlights Thomas Reid's method in his philosophy of common sense of using art and artists to illustrate how perception and expression are intuitive. To be truly expressive, artists should unlearn what they have learned and record their raw sensations, rather than the perceptions that derive from them. Exploring the work of key philosophical and artistic protagonists, this thought-provoking book unearths the fascinating exchanges between art, philosophy and literature during Enlightenment in Scotland that provided the blueprint for modernism.

You're six years old. Mum's in hospital. Dad says she's 'done something stupid'. She finds it hard to be happy.So you start to make a list of everything that's brilliant about the world. Everything that's worth living for.1. Ice Cream2. Kung Fu Movies3. Burning Things4. Laughing so hard you shoot milk out your nose5. Construction cranes6. MeYou leave it on her pillow. You know she's read it because she's corrected your spelling. Soon, the list will take on a life of its own.A new play about depression and the lengths we will go to for those we love.

The first collection from critically-acclaimed UK playwright Duncan Macmillan.

Target Audience: Students, young writers, academics, teachers, theatre goers and fans of new British drama.

This beautiful new book looks in depth at some of Victoria Crowe's own favourite portraiture, examining the psychology of her subjects and of herself in painting them.

When reclusive crime writer Daniel Quinn receives a mysterious call seeking a private detective in the middle of the night, he quickly and unwittingly becomes the protagonist in a thriller of his own. As the familiar territory of the noir

Duncan Macmillan takes on some of the most pressing issues of our time.

"An impassioned desperate monologuebeautifully offbeat, wry and surprising." - Time Out