Bøker av Drew Sawyer

Consuelo Kanaga (1894-1978) was one of the pioneers of modern American photography. Beginning her career in 1915 as a photojournalist for the San Francisco Chronicle, Kanaga quickly became a highly skilled darkroom technician, developing a distinctly artistic aesthetic style inspired by the photography of Alfred Stieglitz. Over the next six decades, she produced beautifully composed images over a wide range of subjects, characterized by an abiding interest in the social conflicts of her time, including urban poverty, workers' rights, racial segregation, and prevailing inequality. She became especially known for her emotional and introspective portraits of African Americans, which combined modernist formal technique and radical documentary commentary.Featuring 200 photographs from the collection of the BrooklynMuseum, this substantial new appraisal of Consuelo Kanaga's work establishes her place as one of America's most vital twentieth-century photographers.Published to accompany a major touring exhibition from 2024- 2026at Fundación MAPFRE, Barcelona; Fundación MAPFRE, Madrid; SanFrancisco Museum of Modern Art; and Brooklyn Museum, New York.

"This is the first overview of the work of Jimmy DeSana, a pioneering yet underrecognized figure in New York's downtown art, music and film scenes during the 1970s and 1980s. The book situates DeSana's work and life within the countercultural and queer contexts in the American South as well as New York, through his involvement in mail art, punk and No Wave music and film, and artist collectives and publications. DeSana's first major project was 101 Nudes, made in Atlanta during the city's gay liberation movement. After moving to New York in 1973, DeSana became immersed in queer networks, collaborating with General Idea and Ray Johnson on zines and mail art, and documenting the genderqueer street performances of Stephen Varble. By the mid-1970s, DeSana was a fixture in New York's No Wave music and film scenes, serving as portraitist for much of the period's central figures and producing album covers for Talking Heads, James Chance and others. His book Submission, made with William S. Burroughs, humorously staged scenes out of a S&M manual that explored the body as object and the performance of desire. DeSana was also an early adopter of color photography, creating his best-known series, Suburban, in the late 1970s and early 1980s. This body of work explores relationships between gender, sexuality and consumer capitalism in often humorous, surreal ways. After DeSana became sick as a result of contracting HIV, he turned to abstraction, using experimental photographic techniques to continue to push against photographic norms."--