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An unexpected death in Donovan Merrill's family makes it necessary that his grandmother, Anna, and he leave the rectory in San Miguel. They move into her summer cottage in the midst of the artist colony in the Laguna Beach of 1938, starting life over. It will be difficult with their diminished resources, but Donovan and Anna prove up to the task. They find friends and mentors among the painters and bohemians, Donovan early on deciding that he will become a painter himself. After the war years, Anna encourages him to study in Paris; he paints for a summer in Provence and survives a difficult winter in Rome. On his return to the states, he finds a place in Santa Fe, starting his painting career in a rented adobe. When he meets Tomas de la Pena, a young Mexican writer, his life begins to tumble. Tomas's efforts at writing are unformed, not so flourishing as Donovan's career, so competitive troubles ensue. After building a house together, they must face Tomas's continuing disquiet. Time in Laguna is good to Anna, happy in her growing circle of artist friends. A love affair and a later marriage to a German expatriate make a striking contrast to her old life as a minister's wife in San Miguel. She worries as Donovan finds his way, and supports him emotionally and financially. But Donovan proves he can succeed on his own.
Europe in the Cold War years was a dangerous place for Harold Bronson and his buddies, draftees commandeered into espionage and counterintelligence. Their low echelon escapades take them to Berlin, Ulm, the South of France, and Zurich. Bronson chooses this time of his life to explore a personal coming out, creating secrets within secrets in a disapproving military. In his off-time, Bronson paints portraits of the other denizens of Schloss Issel, earning money for trips and adventures to Paris and Nice. Always on the edge of life, he taunts the higher-ups with a light-hearted acceptance of life in the spy world of 1957. Real danger is further off from his circle at the Schloss, but it is an insistent melody they can always hear.
A summer on the California coast calls to Mattox Williams, a writer wanting quiet days to do the finishing work on his novel. He leases his Santa Fe house for three months and finds an ocean-facing room at Glitter Bay. While meeting the other people of the beach community, a love affair develops as well as the surrounding strife. He makes a deep emotional mark on the neighbors, particularly on Hayden Danning and his sister, Sylvan. A surprise offer from a film producer opens his horizons and requires trips south to Hollywood and Laguna Beach. At the end of summer, Mattox tries to find a way to keep alive the love he has found.
The title story tells of Marian Nakamura who pickles the fallen pears to remember a husband who took a fatal fall from an upper branch of a pear tree. The story won a place on the final ten list of a 2010 "The New Yorker" magazine competition. In another story a Minnesota woman learns to paint in Santa Fe and finds acclaim for her colorful canvases, only to walk away from them. A Native American artist paints a cathedral scene, loosing the powers of old spirits. An even more notable force breaks into a fourth painter''s life, the ancient Old Goddess wanting a place in the new world.
An unexpected death in Donovan Merrill's family makes it necessary that his grandmother, Anna, and he leave the rectory in San Miguel. They move into her summer cottage in the midst of the artist colony in the Laguna Beach of 1938, starting life over. It will be difficult with their diminished resources, but Donovan and Anna prove up to the task. They find friends and mentors among the painters and bohemians, Donovan early on deciding that he will become a painter himself. After the war years, Anna encourages him to study in Paris; he paints for a summer in Provence and survives a difficult winter in Rome. On his return to the states, he finds a place in Santa Fe, starting his painting career in a rented adobe. When he meets Tomas de la Pena, a young Mexican writer, his life begins to tumble. Tomas's efforts at writing are unformed, not so flourishing as Donovan's career, so competitive troubles ensue. After building a house together, they must face Tomas's continuing disquiet. Time in Laguna is good to Anna, happy in her growing circle of artist friends. A love affair and a later marriage to a German expatriate make a striking contrast to her old life as a minister's wife in San Miguel. She worries as Donovan finds his way, and supports him emotionally and financially. But Donovan proves he can succeed on his own. This is the author's fourth book for Sunstone Press, after "e;Why I Won't Be Going to Lunch Anymore"e; in 2004, "e;The Galisteo Escarpment in 2008,"e; and "e;Creep Around the Corner"e; in 2009. DOUGLAS ATWILL grew up in California and Texas, lived in Europe and on the East Coast before moving to Santa Fe to paint. His canvases are shown in galleries thoughout the nation and his avocation is the design and construction of vernacular Santa Fe residences.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.