Bøker av Doris Lessing

A fierce, compelling account of the nature and origins of love from Doris Lessing, one of the most acclaimed writers of the twentieth century and winner of the Nobel Pize for Literature 2007.Sarah Durham, sixty-year-old producer and founder of a leading fringe theatre company, commissions a play based on the journals of Julie Vairon, a beautiful, wayward nineteenth-century mulatto woman. It captivates all who come into contact with it, and dramatically changes the lives of all those who take part in it. For Sarah the changes are profound - she falls in love with two younger men, causing her to relive her own stages of growing up, from immature and infantile with the beautiful and androgynous Bill, to a mature love with Henry.

Across eighteen short stories, Lessing dissects London and its inhabitants with the power for truth and compassion to be expected of the Nobel Prize for Literature 2007.'During that first year in England, I had a vision of London I cannot recall now ... it was a nightmare city that I lived in for a year. Then, one evening, walking across the park, the light welded buildings, trees and scarlet buses into something familiar and beautiful, and I knew myself to be at home.'Lessing's vision of London - a place of nightmares and wonder - underpins this brilliantly multifaceted collection of stories about the city, seen from a cafe table, a hospital bed, the back seat of a taxi, a hospital casualty department; seen, as always, unflinchingly, and compellingly depicted.

The first volume of Doris Lessing's 'Collected African Stories', and a classic work from the winner of the Nobel Prize for Literature.'It can be said of all white-dominated Africa that it was - and still is - the Old Chief's Country. So all the stories I write of a certain kind I think of as belonging under that heading; tales about white people, sometimes about black people, living in a landscape that not so very long ago was settled by black tribes, living in complex societies that the white people are only just beginning to study, let alone understand.' Doris Lessing, from the PrefaceIn this superb volume of African stories, Lessing paints a magnificent portrait of the country in which she grew up. The cruelties of the white man towards the native, 'the amorphous black mass, like tadpoles, faceless, who existed merely to serve', the English settlers, ill at ease, the gamblers and moneymakers searching for diamonds and gold, and the presence, 'latent always in the blood', of Africa itself, its majestic beauty and timeless landscape: Lessing draws them all together into a powerful, memorable vision.

The fifth and final book in the Nobel Prize for Literature winner's 'Children of Violence' series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.'The Four-Gated City' finds Martha Quest in 1950s London and very much part of the social history of the time: the Cold War, the anti-nuclear Aldermaston Marches, Swinging London, the deepening of poverty and social anarchy. Daring to go a step further - as Lessing so often has in her career - the novel ends with the century in the throes of World War Three.In the four previous novels of the 'Children of Violence' series, Lessing explored the end of an epoch. Here she trains her gaze on the present - and the future. The disquieting power of her vision revealed across this series finds its culmination in this brave and visionary work.

The fourth book in the Nobel Prize for Literature winner's 'Children of Violence' series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.In the aftermath of the Second World War, Martha Quest finds herself completely disillusioned. She is losing faith with the communist movement in Africa, and her marriage to one of the movement's leaders is disintegrating. Determined to resist the erosion of her personality, she engages in a love affair and breaks free, if only momentarily, from her suffocating unhappiness.

The third book in the Nobel Prize for Literature winner's 'Children of Violence' series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.'"e;The personal life of a comrade would be arranged so that it interferes as little as possible with work,"e; he said. Martha had not imagined that the "e;personal talk"e; with Anton would arise like an item on an agenda; she now felt frivolous because she had been looking forward to something different ...'The 'Children of Violence' series established Doris Lessing as a major radical writer. In this third volume, Martha, now free of her stultifying marriage to Douglas, is able to pursue the independent life she has wanted for so long. Her deepening involvement with South African revolutionary politics draws her into a world of fierce commitments and passionate idealism. A time of great change, Martha's young womanhood brings not only immense happiness when she embarks on an affair with a fellow party member, but also great sorrow - for the pain of abandoning Caroline, her baby daughter, left at home with Douglas, never diminishes ...

The second book in the Nobel Prize for Literature winner's 'Children of Violence' series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.'A Proper Marriage' sees twenty-something Martha beginning to realise that her marriage has been a terrible mistake. Already the first passionate flush of matrimony has begun to fade; sensuality has become dulled by habit, blissful motherhood now seems no more than a tiresome chore. Caught up in a maelstrom of a world war she can no longer ignore, Martha's political consciousness begins to dawn, and, seizing independence for the first time, she chooses to make her life her own.

The opening book in the Nobel Prize for Literature winner's 'Children of Violence' series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.When we first meet Martha Quest, she is a girl of fifteen living with her parents on a poor African farm. She is eager for life and resentful of the deadening narrowness of home, and escapes to take a job as a typist in the local capital. Here, in the 'big city', she encounters the real life she was so eager to know and understand. As a picture of colonial life, 'Martha Quest' succeeds by the depth of its realism alone; but always at its centre is Martha, a sympathetic figure drawn with unrelenting objectivity.Martha's Africa is Doris Lessing's Africa: the restrictive life of the farm; the atmosphere of racial fear and antagonism; the superficial sophistication of the city. And both Martha and Lessing are Children of Violence: the generation that was born of one world war and came of age in another, whose abrasive relationships with their parents, with one another, and with society are laid bare brilliantly by a writer who understands them better than any other.

The story of a middle-aged woman's search for freedom, from Doris Lessing, winner of the Nobel Prize for Literature.Her four children have flown, her husband is otherwise occupied, and after twenty years of being a good wife and mother, Kate Brown is free for a summer of adventure. She plunges into an affair with a younger man, travelling abroad with him, and, on her return to England, meets an extraordinary young woman whose charm and freedom of spirit encourages Kate in her own liberation. Kate's new life has brought her a strange unhappiness, but as the summer months unfold, a darker, disquieting journey begins, devastating in its consequences.A novel of self-discovery that bears the hallmarks of Lessing's brilliance, honesty and power to move the reader, 'The Summer Before the Dark' has been hailed by some as Lessing's best book.

A compelling vision of a disorienting and barbaric future from Doris Lessing, winner of the Nobel Prize for Literature.Many years in the future, city life has broken down, communications have failed and food supplies are dwindling. From her window a middle-aged woman - our narrator - watches things fall apart and records what she witnesses: hordes of people migrating to the countryside, gangs of children roaming the streets. One day, a young girl, Emily, is brought to her house by a stranger and left in her care. A strange, precocious adolescent, drawn to the tribal streetlife and its barbaric rituals, she is unafraid of the harsh world outside, while our narrator retreats into her hidden world where reality fades and the past is revisited ...

The second volume of the autobiography of Doris Lessing, winner of the Nobel Prize for Literature.

From Doris Lessing, winner of the Nobel Prize for Literature, the sequel to one of her most celebrated novels, 'The Fifth Child'.'The Fifth Child', Doris Lessing's 1988 novel, made a powerful impact on publication. Its account of idyllic marital and parental bliss shattered by the arrival of the feral fifth child of the Lovatts made for unnerving and compulsive reading.That child, Ben, is the central character of this sequel, which picks up the fable at the end of his childhood and takes our primal, misunderstood, maladjusted teenager out into the world. He meets mostly with mockery, fear and incomprehension, but with just enough kindness and openness to keep him afloat as his adventures take him from London to the south of France and on to South America in his restless quest for community, companionship and peace.Lessing employs a plain, unadorned prose fit for fables; again, we have a childlike perspective at the heart of the book; again, the world in all its malevolence and misapprehension swirls around at the edge, while, occasionally, a strong character steps forward to try to set a good example.

The first volume of the autobiography of Doris Lessing, author of 'The Grass is Singing' and 'The Golden Notebook', and Winner of the Nobel Prize for Literature 2007.Winner of the James Tait Black Prize 1994.The first volume of Doris Lessing's autobiography begins with her childhood in Africa and ends on her arrival in London in 1949 with the typescript of her first novel in her suitcase. it charts the evolution first of her consciousness, then of her sexuality and finally of her political awareness with an almost overwhelming immediacy, and is as distinctive and challenging as anything she has ever written. It is already recognised as one of the great autobiographies of the twentieth century.

From Doris Lessing, winner of the Nobel Prize for Literature, the second volume of her collected short stories.Lessing is unrivalled in her ability to capture the complexities of relationships, and the stories in this wonderful collection have lost none of their original power.Two marriages, both middle class, liberal and 'rather literary', share a shocking flaw, a secret 'cancer'. A young, beautiful woman from a working-class family is courted by a very eligible, very upmarket man. An ageing actress falls in love for the first time but can only express her feelings through her stage performances because her happily married lover is unobtainable. A dedicated, lifelong rationalist is tempted, after the death of his father, by the comforts of religious belief.In this magnificent collection of stories, which spans four decades, Lessing's unique gift for observation, her wit, her compassion and remarkable ability to illuminate human life are all remarkably displayed.

An essential and definitive collection of the Nobel Prize for Literature winner's finest essays, reviews, reminiscences and interviews from the 1950s, 1960s and 1970s.'The novelist talks as an individual to individuals, in a small personal voice. In an age of committee art, public art, people may begin to feel again a need for the small personal voice; and this will feed confidence into writers and, with confidence because of the knowledge of being needed, the warmth and humanity, and love of people which is essential for a great age of literature.'In this collection of her non-fiction, Lessing's own life and work are the subject of a number of pieces, as are fellow writers such as Isak Dinesen and Kurt Vonnegut. There are essays on Malcolm X and Sufism, discussions of the responsibility of the artist, thoughts on her exile from Southern Rhodesia, and a fascinating memoir of her fraught relationship with her mother.Lit throughout by Doris Lessing's desire for truth-telling, 'A Small Personal Voice' is both an important collection of writings by and a self-portrait of one of the most significant writers of the past century.

From Doris Lessing, winner of the Nobel Prize for Literature, the fifth and final instalment in the visionary novel cycle 'Canopus in Argos: Archives'.'The Sentimental Agents ...' is set in the declining Volyen Empire as the empires of Sirius and Shammat compete to overwhelm it with rhetoric and false sentiment. The Canopean Empire deploys covert agents to help the Volyens resist. But one of these agents, Incent, succumbs to 'Undulant Rhetoric', and Agent Klorathy must go to Volyen to help him see through the empty words that have beguiled him.Once more employing alien races to identify human failings, Lessing uses social and political satire to show how we misuse speech (and speeches) and delude ourselves with self-aggrandizing notions about the primacy of emotion. Her renowned insight into human behaviour goes hand in hand here with a vein of humour that sees her writing in the tradition of Voltaire and Swift.

From Doris Lessing, winner of the Nobel Prize for Literature, this is the third instalment in the visionary novel cycle 'Canopus in Argos: Archives'.Ambien II is one of the Five - the highest level of the Sirian Colonial Service and the hidden rulers of the Sirian Empire for thousands of years. She is an accomplished administrator, a mover of populations and controller of events - and lives in the certain knowledge that the Sirian Empire is the most advanced in the galaxy.As she narrates her story, we follow the profound changes in Ambien II as she realizes that the rival Canopean Empire is superior to Sirius in every way, and is the true ruler of the galaxy. She begins to understand, and accept, that she will be used by her Canopean opposites, announcing their wisdom to her own people, whose denial of this revelation is as fierce and determined as her own would once have been.Continuing her work in the science-fiction genre, Doris Lessing uses these worlds to set out her view of mankind and history, of her conviction that to survive we must learn to open our minds to ways of thinking.

From Doris Lessing, winner of the Nobel Prize for Literature, this is the second instalment in the visionary novel cycle 'Canopus in Argos: Archives'.This is the story of the kindly Queen of Zone Three, who rules a land free of all harshness, and her forced marriage with the soldier-king of Zone Four, which is hierarchic, disciplined, inflexible, dutiful. This apparently difficult marriage, unwanted by both, requires a compromise between impulse and reason, between instinct and logic.Ben Ata learns to accept and then to love the ruler of Zone Three and her alien ways; and she learns to love and to need him. But when the Queen is commanded by the Providers to return to her own realm, she must obey, shattering though it is to leave her husband and child. Ben Ata, in turn, is ordered to marry the savage beauty who rules Zone Five, a land that both unites and reverses the other two Zones.In 'The Marriages ...' Doris Lessing uses science-fiction brilliantly to investigate the conflict between men and women. Once again, invented planets allow her to deploy her unillusioned knowledge of the real world of the reader.

From the winner of the Nobel Prize for Literature, this is the fourth instalment in the visionary novel cycle 'Canopus in Argos: Archives'.The handsome, intelligent people of Planet 8 of the Canopean Empire know only an idyllic existence on their bountiful planet, its weather consistently nurturing, never harsh. They live long, purposeful, untroubled lives.Then one day The Ice begins, and ice and snow cover the planet's surface. Crops and animals die off, and the people must learn to live with this new desolation. Their only hope is that, as they have been promised, they will be taken from Planet 8 to a new world. But when the Canopean ambassador, Johor, finally arrives, he has devastating news: they will die along with their planet. Slowly they come to understand that their salvation may lie in the creation of one Representative who can save what is most essential to them.Lessing has written a frightening and, finally, hopeful book, a profound and thought-provoking contribution to the science-fiction genre the novel generally.

Writing inspired by four visits to Zimbabwe, her childhood home, from the winner of the Nobel Prize for Literature 2007, Doris Lessing.In the 1980s and early 1990s, Doris Lessing made several visits to her homeland, Zimbabwe, a country from which she had been banned for twenty-five years for her opposition to the government of what was then white Southern Rhodesia. Vividly mingling memory and reportage, Lessing pays passionate and profound testament to an extraordinary country, its landscape, people and unquenchable spirit. 'African Laughter' is both a shrewd and perceptive portrait of a modern African state emerging from its bloody and terrible colonial history, and a candid and moving insight into the mind of one of this century's finest writers.

The second volume of Doris Lessing's 'Collected African Stories', and a classic work from the winner of the Nobel Prize for Literature.'As for these stories - when I write one, it is as if I open a gate into a landscape which is always there. Time has nothing to do with it. A certain kind of pulse starts beating, and I recognise it: it is time I wrote another story from that landscape, external and internal at the same time, which was once the Old Chief's Country.' Doris Lessing, from the PrefaceThis much-acclaimed collection of stories vividly evokes both the grandeur of Africa and the glare of its sun and the wide open space, as well as the great, irresolvable tensions between whites and blacks. Tales of poor white farmers and their lonely wives, of storm air thick with locusts, of ants and pomegranate trees, black servants and the year of hunger in a native village - all combine to present a powerful image of a continent which seems incorruptible in spite of all the people who plough, mine and plunder it to make their living. In Doris Lessing's own words, 'Africa gives you the knowledge that man is a small creature, among other creatures, in a large landscape.'