Bøker av Dieter Roelstraete

The small-talk topic as viewed by artists and scientists, revealing a cultural fascination with the climate This volume accompanies a group exhibition exploring the semantics of "weather" in visual art, taking atmospheric conditions as a point of departure to investigate the climate emergency. More than 50 works by contemporary artists and a complementary selection of historical artworks trace the various ways in which climate and weather have shaped our histories and how humanity has dealt with our everyday exposure to meteorological events. The exhibition reveals artists' long-standing interest in "talking about the weather," from allegorical and en plein air paintings to recent multimedia installations and transnational activism.The book includes 18 richly illustrated essays by curators, art historians, architects, activists, linguists, meteorologists and scientists. The book also contains a fundamental bibliography of climate dynamics comprising nearly 500 texts accompanied by maps, diagrams and other graphic representations.

Copublished with Gagosian, this is the first book devoted to the work of a major contemporary artist, with a focus on his painting. Houston-based artist Rick Lowe is widely known for his pioneering contributions to the development of "social practice art," work that landed him a MacArthur fellowship in 2014. What few people realize is that he was originally trained as a landscape painter. In recent years, Lowe has increasingly turned back to painting, producing complex multi-panel and quasi-abstract images that are deeply rooted in thirty years of work creating "social sculptures," recalling the urban fabric of cities around the world that have formed the backdrop of many of his community-based art projects. This book, which brilliantly reproduces Lowe's paintings, is the first dedicated to the work of this important American artist, focusing on his painterly practice and its origins in his work in the public sphere.

At the heart of Machines à penser lies an artistic encounter with three titans of 20th-century philosophy, each of whom experienced a place of retreat or exile as decisive for their work: Ludwig Wittgenstein, who built himself a hermitage in Norway; Martin Heidegger, who regularly retreated to a custom-built hut in the Black Forest; and Theodor Adorno, who was forced into exile in Los Angeles in the late 1930s. The titular "machines for thinking" are the modest dwellings with which these philosophers have become associated: a nondescript bungalow, a mountain hut and a peasant's cabin. Here, works by Alec Finlay, Susan Philipsz, Mark Riley, Anselm Kiefer, Alexander Kluge, Goshka Macuga, Mark Manders, Ian Hamilton Finlay, Iñigo Manglano-Ovalle, Gerhard Richter and others are placed in dialogue with documentation and models of Wittgenstein, Heidegger and Adorno's respective dwellings.

Dieter Roelstraete is curator at the Neubauer Collegium for Culture and Society in Chicago. Previously he was a curator for the important contemporary art exhibition documenta 14 and a senior curator at the Museum of Contemporary Art of Chicago from 2012 and 2015. Fran¿s Piron is a well-known independent exhibitions curator, art critic and editor. Kersten Geers is a renowned architect and part of the successful OFFICE Kersten Geers David Van Severen. He collaborated with Pieter Vermeersch on a site-specific work at the Solo House Office KGDVS in Matarra¿a, Spain. Moritz K¿ng is an independent curator and editor. He worked in Z¿rich, Antwerp and currently lives and works in Barcelona.

First comprehensive monograph on the Turner-Prize-winning artist.