Bøker av Diane Glancy

Unpapered brings together personal narratives of Indigenous writers to explore the meaning and limits of Native American identity beyond its legal margins.

A minister's wife finds herself in hell. The story of Lazarus and the rich man in Luke 16:19-31 gives a chilling insight into the afterlife. It is a story that is not often addressed because it makes clear the separation of people upon death. Frank Winscott, a retired minister, works at comparing translations of the Bible. Eugena has ignored her husband's work and his sermons all her life. Instead, she finds meaning in her potter's shed, where she makes different forms of ziggurats that she places in her kiln, a little symbol of hell. Though Eugena rejects Frank's insistence that there is a heaven and hell, she finds that she has worked with the shape of both and never knew it. In the end, she realizes that heaven and hell are in the shape of ziggurats, one rising and the other sinking. Her beloved ziggurats become the ironic witness of what her husband preached. Meanwhile, Frank and Eugena struggle to make sense of their lives after the death of their addict son, Daniel. When he is killed in a car accident, Frank and Eugena argue over whether Daniel's death was truly an accident, or whether his car may have been pushed off the road. The novel begins, ""Another letter from the afterlife, you might say. But this one starts before the afterlife and continues into it."" When Eugena dies, she travels through hell to find her son, Daniel. Frank sends the last chapter from heaven. The novel was influenced by Dante's The Divine Comedy and begins with an epigraph from The Inferno, ""What I was living, that I am dead.""

A professor hears the voices of Biblical women. She begins writing. What was it like for Dorcas to die and be brought back to life? What was it like for Philip''s daughters to live with the threat of persecution after Christ was crucified? What did Miriam feel when she sat in the leprosy tent? What did they all say as the professor wove her own story between their voices? It was Michal, David''s first wife, who made a bolster of goat''s hair for David''s bed when Saul, her father, was trying to kill him. The bolster made it look as if David were there. Likewise, these women''s voices are not their actual voices, because they were not recorded in Scripture, but a similitude of what such women might have said. The narrator struggles with their stories beneath Scripture. Michal is maligned because she scorned David when he danced before the ark, but after the death of her sister, she raised her sister''s sons. David hanged them all when the Gibeonites told him that Saul had broken a covenant with them. They asked that Saul''s male descendants be killed. What was it like for Michal to see her nephews hanged? What did she have to say?""Diane Glancy is the kind of visionary whose poetic spirit sees beyond, twisting the ordinary with astonishing verbal leaps of imagination, turning things inside out so that we see what they are made of. In these stories, she interweaves a personal narrative with visions and voices from another time, another sphere. The result is quite extraordinary.""--Luci Shaw, author of Scape""Uprising of Goats is an impeccably researched, intricately rendered, hauntingly beautiful journey through what has traditionally been a realm of silent mystery. It''s clear that Diane Glancy does not simply imagine the world of biblical women, but inhabits the same quietly electrifying space.""--Paula Huston, author of A Land Without SinDiane Glancy is emeritus professor at Macalester College. Her books and films are listed online at www.dianglancy.org and www.dianeglancy.com..

Speaking out of the known world, this powerful selection of Glancy's poems transforms experience through new narratives, mytholigising history and social crisis. Tackling themes of disruption, loss and heritage, these poems invoke a wide range of familial and animal personae and environments: we find ourselves guided to a land filled with hope.

A depiction of contemporary life in Native America. This book presents an Indian worldview in its holistic complexity and integrity, and is an addition to the literature of white-Indian cultural interrelationships. It presents an account of the author's life on the road, driving throughout Oklahoma and Arkansas teaching poetry in the schools.