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These letters detail Erasmus' responses to Catholic critics of his work.
In addition to a new translation of Praise of Folly, this volume also includes other works by Erasmus: Pope Julius Barred from Heaven, Epigram against Pope Julius II and a selection of his Adages. Together with the extensive annotation of the texts, these help to set Erasmus's masterpiece.
The predominant theme of the letters of 1528 is Erasmus' controversies with a variety of critics and opponents.
The letters in this volume reflect Erasmus' anxiety about the endemic warfare in Western Europe, the advance of the Ottoman Turks into Europe, and the increasing threat of armed conflict between Catholics and Protestants in Germany.
The final two volumes in the CWE contain an edition and translation of Erasmus' poetry. For scholars this work affords the first opportunity to evaluate and analyse Erasmus' poems in English. An important feature is the appearance of the original Latin of each poem alongside the English translation.
This volume provides the first complete English translations of these Paraphrases since 1549, in addition to excellent insight into the fundamentals of Erasmian theology, and includes annotations which highlight the historical and linguistic implications of Erasmus's original texts.
Between 1515 and 1533 Erasmus wrote commentaries on eleven psalms, his only treatment of texts from the Old Testament. This volumes contains his commentaries on psalms 85, 22, 28 (the De bello Turcico), and 33.
Erasmus yearned to make the Bible an effective instrument in the reform of society, church, and the life of individuals in the turbulent world of the sixteenth century.
Book 2 of Hyperaspistes is important not only for its role in the Reformation quarrel between Erasmus and Luther, but also for Erasmus' lengthy analysis of key passages from the Old and New Testaments.
The volume features several memorable letters by Thomas More that testify to his integrity and clear-sightedness, his capacity for sober self-assessment and restraint combined with charity. It also contains one of Erasmus' most famous letters, Ep 999, which paints a subtle and sparkling pen portrait of More, the man and the Christian.
This volume is of particular interest because more than half the letters derive from the Deventer Letter-book, into which Erasmus had his amaneunses copy incoming and outgoing letters, among them many which were truly private rather than composed with a mind to subsequent publication.
Although most of the letters from this period are familiar letters to friends or formal dedications to prospective patrons, there are occasional glimpses into the intense intellectual activity that filled these years.
The Paraphrase on Luke is a version of the original book, vastly expanded by Erasmus (in the voice of its original author) to embrace the reforming 'philosophy of Christ.'
In the letters 1523-4, Erasmus' mounting anger at the authors of these attacks goes hand in hand with his slowly formed decision to publish a book against Luther on free will.
Erasmus' Familiar Colloquies grew from a small collection of phrases, sentences, and snatches of dialogue written in Paris around 1497 to help his private pupils improve their command of Latin.
These satires reflect aspect of the religious, political, social, and military conflicts of the time and the qualities that enabled Erasmus to articulate them: great intelligence, remarkable shrewdness, deep sensitivity, spectacular ability, and a boundless capacity for staying cool.
These works present Erasmus' educational program for children from the very young to pre-university age - a compendium of his views on the nature and value of a humanistic education that remains of importance for all times and places.
The letters in this volume cover Erasmus's correspondence for all of 1526 and roughly the first quarter of 1527, a difficult period marked by two bouts of acute illness and attacks launched against him by conservative Catholics.
Three of Erasmus' polemic works against Alberto Pio, Prince of Carpi. Pio continually angered Erasmus by criticizing him for his denunciations of church practices and officials, and by accusing him of supporting Luther and holding dangerous opinions.
Ten pieces of Erasmus' writing on spiritual and pastoral topics. The highlight of the volume is the long-awaited translation of Institution of Christian Matrimony.
In these four responses to his critics, Erasmus discusses popular concerns such as the relations between the sexes, celibacy, marriage, divorce, and how to live a good life.
This volume contains the second 500 of the more than 4000 adages gathered and commented on by Erasmus, sometimes in a few lines and sometimes in full-scale essays.
The Collected Works of Erasmus is providing the first complete translation of Erasmus' Adagia. This volume contains the initial 300 adages with notes that identify the classical sources and indicate how Erasmus' reading and thinking developed over the quarter-century spanned by the eight revisions of the original work.
Includes two of Erasmus' most important disputes with Luther, A Discussion of Free Will and the first part of the Hyperaspistes (usually translated as 'protector' or 'shield-bearer').
This is the first of five volumes to appear in the section of the CWE devoted to Erasmus' spiritualia, works of spirituality that include such aspects of religion as piety, theology, and the practice of ministry.
Erasmus of Rotterdam (c. 1466-1536) is one of the greatest figures of the Renaissance humanist movement, which abandoned medieval pieties in favour of a rich new vision of the individual's potential. Praise of Folly, written to amuse his friend Sir Thomas More, is Erasmus's best-known work. Its dazzling mixture of fantasy and satire is narrated by a personification of Folly, dressed as a jester, who celebrates youth, pleasure, drunkenness and sexual desire, and goes on to lambast human pretensions, foibles and frailties, to mock theologians and monks and to praise the 'folly' of simple Christian piety. Erasmus's wit, wordplay and wisdom made the book an instant success, but it also attracted what may have been sales-boosting criticism. The Letter to Maarten van Dorp, which is a defence of his ideas and methods, is also included.
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