Bøker av Deborah Levy

'Unmissable. Like chancing upon an oasis, you want to drink it slowly... Subtle, unpredictable, surprising' GuardianThings I Don't Want to Know is the first in Deborah Levy's essential three-part 'Living Autobiography' on writing and womanhood.Taking George Orwell's famous essay, 'Why I Write', as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life. With wit, clarity and calm brilliance, she considers how the writer must stake claim to that contested territory as a young woman and shape it to her need. Things I Don't Want to Know is a work of dazzling insight and deep psychological succour, from one of our most vital contemporary writers.'Superb sharpness and originality of imagination. An inspiring work of writing' Marina Warner

SHORTLISTED FOR THE MAN BOOKER PRIZE 2016 SHORTLISTED FOR THE GOLDSMITHS PRIZE 2016Plunge into this hypnotic tale of female sexuality and power - from the Man Booker shortlisted author of Swimming Home'Propulsive, uncanny, dreamlike. A feverish coming-of-age novel' Daily Telegraph'A triumph of storytelling' Literary Review'Today I dropped my laptop on the concrete floor of a bar built on the beach. My laptop has all my life in it and knows more about me than anyone else. So what I am saying is that if it is broken, so am I . . .''Perfectly crafted. So mesmerising that reading it is to be under a spell' Independent on Sunday'Hot Milk treads a sweaty, sun-drenched path into the history books. A properly great novel' Romola Garai'Hot Milk is an extraordinary novel, beautifully rich, vividly atmospheric and psychologically complex... Every man and woman should read it' Bernardine Evaristo'The contemporary writer I admire most' Linda Grant 'Hypnotic... This novel has a transfixing gaze and a terrible sting that burns long after the final page is turned' Observer'Gorgeous. What makes the book so good is Levy's great imagination, the poetry of her language, her way of finding the wonder in the everyday. It's a pleasure' New York Times'Terrific, sizzling with heat and sexuality . . . You devour it in one sitting' Radio Times'Unmissable' New Statesman

2012 Man Booker Prize shortlisted. As he arrives with his family at the villa, Joe sees a body in the swimming pool. But the girl is alive. She is Kitty Finch: a self-proclaimed botanist with green-painted fingernails, walking naked into the heart of their holiday. Why is she there? And why does Joe's enigmatic wife allow her to remain?

From twice Booker-shortlisted author Deborah Levy, a moving and revelatory collection exploring the muses that have shaped her life and work as a writerIn The Position of Spoons, Deborah Levy invites the reader into the interiors of her world, sharing her most intimate thoughts and experiences, as she traces and measures her life against the backdrop of the literary and artistic muses that have shaped her.From Marguerite Duras to Colette and Ballard, and from Lee Miller to Francesca Woodman and Paula Rego, we can relish here the richness of their work and, in turn the richness of the author's own.Each page draws upon Levy's life in exalting ways, encapsulating the wonderful precision and astonishing depth of her writing, as she seamlessly shifts between and meditates on questions of mortality, language, suburbia, gender, consumerism and the poetics of every day living. From the child born in South Africa, to her teenage years in Britain, to her travels across the world as a young woman, each page is a beautiful, tender composition of the questioning self: a portrait of Deborah Levy's writing life and intellectual vitality in all of its dimensions.

From twice Booker-shortlisted author Deborah Levy, a moving and revelatory collection exploring the muses that have shaped her life and work as a writerIn The Position of Spoons, Deborah Levy invites the reader into the interiors of her world, sharing her most intimate thoughts and experiences, as she traces and measures her life against the backdrop of the literary and artistic muses that have shaped her.From Marguerite Duras to Colette and Ballard, and from Lee Miller to Francesca Woodman and Paula Rego, we can relish here the richness of their work and, in turn the richness of the author's own.Each page draws upon Levy's life in exalting ways, encapsulating the wonderful precision and astonishing depth of her writing, as she seamlessly shifts between and meditates on questions of mortality, language, suburbia, gender, consumerism and the poetics of every day living. From the child born in South Africa, to her teenage years in Britain, to her travels across the world as a young woman, each page is a beautiful, tender composition of the questioning self: a portrait of Deborah Levy's writing life and intellectual vitality in all of its dimensions.

"Simon Moretti is known for his enigmatic exhibition works, presenting displays that engage with questions of agency, temporality, automatism, desire and masculinity. Incorporating appropriated images and archives as well as curatorial and publishing projects, often made in collaboration with other artists, his work addresses the role of 'curating as practice'. Presented as a non-chronological visual essay, this publication surveys 10 years of collage works by Moretti. It includes text contributions from writer Craig Burnett, curator and art historian Yuval Etgar, novelists Deborah Levy and Chloe Aridjis, and a conversation with Andrew Durbin, editor-in-chief of frieze magazine."--

A new novel from the Booker Prize finalist Deborah Levy, the celebrated author of The Man Who Saw Everything and The Cost of Living.At the height of her career, the piano virtuoso Elsa M. Anderson-former child prodigy, now in her thirties-walks off the stage in Vienna, midperformance.Now she is in Athens, watching an uncannily familiar woman purchase a pair of mechanical dancing horses at a flea market. Elsa wants the horses too, but there are no more for sale. She drifts to the ferry port, on the run from her talent and her history.So begins her journey across Europe, shadowed by the elusive woman who seems to be her double. A dazzling portrait of melancholy and metamorphosis, Deborah Levy's August Blue uncovers the ways in which we attempt to revise our oldest stories and make ourselves anew.

In this brilliant, inventive, tragic farce, Deborah Levy creates the ultimate dysfunctional kids, Billy and his sister Girl. Apparently abandoned years ago by their parents, they now live alone somewhere in England. Girl spends much of her time trying to find their mother, going to strangers' doors and addressing whatever Prozac woman who answers as "Mom." Billy spends his time fantasizing a future in which he will be famous, perhaps in the United States as a movie star, or as a psychiatrist, or as a doctor to blondes with breast enlargements, or as the author of "Billy England's Book of Pain." Together they both support and torture each other, barely able to remember their pasts but intent on forging a future that will bring them happiness and reunite them with the ever-elusive Mom. Billy and Girl are every boy and girl reeling from the pain of their childhoods, forgetting what they need to forget, inventing worlds they think will be better, but usually just prolonging nightmares as they begin to create--or so it seems--alternative personalities that will allow them to survive and conquer and punish. In the end, the reader is as bewildered as Billy and Girl--have they found Mom and a semblance of family, or are, they completely out of control and ready to explode?

Swallowing Geography is a stunning early novel by the Man Booker-shortlisted Deborah Levy. Embedded in this beautifully written novel is Deborah Levy's gift for blending fairytale with biting satire. Through the voice of the irreverent and ironic narrator J.K., Swallowing Geography interrogates the yearning of discontented children, imagined homes and strangers and histories at the turbulent close of the 20th century.'A stunningly original writer' Kirsty Gunn'One of the few British writers comfortable on a world stage' New Statesman'Levy's strength is her originality of thought and expression' Jeanette WintersonDeborah Levy writes fiction, plays and poetry. Her work has been staged by the Royal Shakespeare Company, and she is the author of highly praised books including The Unloved, Things I Don't Want to Know, Beautiful Mutants and Billy and Girl. Her novel Swimming Home was shortlisted for the 2012 Man Booker Prize, 2012 Specsavers National Book Awards (UK Author of the Year) and 2013 Jewish Quarterly Wingate Prize, while the title story of her most recent work of fiction, Black Vodka, was shortlisted for the 2012 BBC International Short Story Award.

Unforgettable, off-kilter graphic fiction from Booker-shortlisted novelist Deborah Levy

Lapinski, a manipulative and magical Russian exile, summons forth a number of highly contemporary urban pilgrims. This book explores broken dreams and self-destructive desires in a shimmering, dislocated allegory of its times.

A hypnotising summer novel from the twice Man Booker-shortlisted author of Hot Milk and Swimming HomeA group of hedonistic West European tourists gather to celebrate Christmas in a remote French chateau. Then an Englishwoman is brutally murdered, and the sad, eerie child Tatiana declares she knows who did it. The subsequent inquiry into the death proves to be more of an investigation into the nature of love, insatiable rage and sadistic desire. The Unloved offers a bold and revealing look at some of the events that shaped European and African history, and the perils of a future founded on concealed truth.

In the Freezerworld toy section, all the girl princess dolls stand proud in their tiny gold shoes. Big hair and luned-out stares.Girl says, listen, one day I will have a kingdom too. Billy and his sister, Girl, are clever, stylish and damaged. They live somewhere in England and are searching for their missing mother. They think she might be lurking in Freezerworld, a mega superstore on the edge of a motorway. Yet it is a young woman stocking the shelves in this ''frozen world'' who attracts their attention. Girl, who wants a proper name, feels a special bond with her as she gazes at the name tag on her uniform. Will she lead them to their mother? Billy & Girl is both a joyful contemporary fairy tale and a hard hitting critique of the beginning of frantic consumerism in the 1990s.

'Perhaps when Orwell described sheer egoism as a necessary quality for a writer, he was not thinking about the sheer egoism of a female writer. Even the most arrogant female writer has to work over time to build an ego that is robust enough to get her through January, never mind all the way to December.' Deborah Levy