Bøker av David Yezzi

Anthony Hecht (1923-2004) was one of America's greatest poets, winner of the Pulitzer Prize, and widely recognized as a master of formal verse that drew on wide-ranging cultural and literary sources, as well as Hecht's experiences as a soldier during World War II, during which he fought in Germany and Czechoslovakia and helped to liberate the Flossenburg concentration camp. In Late Romance, David Yezzi-himself a renowned poet and critic-reveals the depths that informed the meticulous surfaces of Hecht's poems. Born to a wealthy German-Jewish family in Manhattan, Hecht saw his father lose nearly everything during the stock market crash of 1929. He grew into an accomplished athlete, actor, writer, and eventually a soldier in the crucible that consumed the world. Returning from the war, Hecht struggled to reconcile what he had witnessed and experienced, suffering from mental illness that required hospitalization. But he found the means to channel his emotions into poetry of lasting meaning, control, and depth; along with Robert Lowell, James Merrill, Theodore Roethke, and Elizabeth Bishop, Hecht remains a vital presence in letters. Published to celebrate the 100th year of his birth, and to coincide with an edition of his collected poems (to be published by Knopf), Late Romance is the definitive, dramatic biography of a uniquely-gifted writer.

David Yezzi's Schnauzer is a bold play-in-verse about our feral need for love untethered. Wild. Rabid. Reminiscent of early Albee, across leaps of time in vivid scenes suffused with a haunting lyricism and humor, Yezzi conjures characters struggling to wake up to the animal appetites of life. Dan O'Brien, Author of Body of an America

Like a voyage to the Portuguese islands of the title, the poems in Azores arrive at their striking and hard-won destinations over the often-treacherous waters of experience-a man mourns the fact that he cannot not mourn, a father warns his daughter about harsh contingency, an unnamed visitor violently disrupts a quiet domestic scene.

Like Robert Frost's North of Boston, David Yezzi's Birds of the Air intersperses charged lyrics with longer dramatic narratives. His monologues explore the frenetic pressures of urban life, as a number of memorable characters take stage: the guy who is hired to clear out a dying man's apartment; the actor stuck in an inadvertently hilarious production of Macbeth and his estranged girlfriend's tragic end; and the short-order cook who elevates his work to an art form. Like the birds of the air described by St. Matthew, these threadbare denizens of the modern city subsist on the few scraps that fall to them.