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  • av David Mamet
    161,-

  • Spar 21%
    av David Mamet
    315,-

    "Award-winning playwright, screenwriter, and director David Mamet shares scandalous and laugh-out-loud tales from his four decades in Hollywood where he worked with some of the biggest names in movies. David Mamet went to Hollywood on top-a super successful playwright summoned west in 1980 to write a vehicle for Jack Nicholson. He arrived just in time to meet the luminaries of old Hollywood and revel in the friendship of giants like Paul Newman, Mike Nichols, Bob Evans, and Sue Mengers. Over the next forty years, Mamet wrote dozens of scripts, was fired off dozens of movies, and directed eleven himself. In Everywhere an Oink Oink, he revels of the taut and gag-filled professionalism of the film set. He depicts the ever-fickle studios and producers who piece by piece eat the artist alive. And he ponders the art of filmmaking and the genius of those who made our finest movies. With the bravado and flair of Mamet's best theatrical work, this memoir describes a world gone by, some of our most beloved film stars with their hair down, and how it all got washed away by digital media and the woke brigade. The book is illustrated throughout with three-dozen of Mamet's pungent cartoons and caricatures"--

  • av David Mamet
    306,-

    A big-shouldered, big-trouble thriller set in mobbed-up 1920s Chicago--a city where some people knew too much, and where everyone should have known better--by the Oscar-nominated screenwriter of The Untouchables and Pulitzer Prize-winning playwright of Glengarry Glen Ross.Mike Hodge--veteran of the Great War, big shot of the Chicago Tribune, medium fry--probably shouldn't have fallen in love with Annie Walsh. Then, again, maybe the man who killed Annie Walsh have known better than to trifle with Mike Hodge.In Chicago, David Mamet has created a bracing, kaleidoscopic page-turner that roars through the Windy City's underground on its way to a thunderclap of a conclusion. Here is not only his first novel in more than two decades, but the book he has been building to for his whole career. Mixing some of his most brilliant fictional creations with actual figures of the era, suffused with trademark "Mamet Speak," richness of voice, pace, and brio, and exploring--as no other writer can--questions of honor, deceit, revenge, and devotion, Chicago is that rarest of literary creations: a book that combines spectacular elegance of craft with a kinetic wallop as fierce as the February wind gusting off Lake Michigan.

  • - The Death of Free Speech and the Cost of a Free Lunch
    av David Mamet
    294,-

  • av David Mamet, Sean Curtin & J. J. Johnston
    368,-

  • av David Mamet
    212,-

    David Mamet Full Length, ComedyCharacters: 3 male (1 non-speaking) Bare stageThe Pulitzer Prize-winning author of Glengarry Glen Ross and Speed-The-Plow, takes us into the lives of two actors: John, young and rising into the first flush of his success; the other Robert, older, anxious, and beginning to wane. In a series of short, spare, and increasingly raw exchanges, we see the estrangement of youth from age and the wider, inevitable and

  • av David Mamet
    192,-

    In these three short plays, middle-aged Bobby Gould returns to the old neighborhood in a series of encounters with his past that, however briefly, open windows to his present. In The Disappearance of the Jews (also included in Mamet's Three Jewish Plays), Bobby and an old buddy fantasize about finding themselves in a nostalgic shtetl paradise, while revealing how lost they are in their own families. In Jolly, Bobby's sister, from the comfort of her kitchen, unscrolls a list of childhood grievanc

  • av David Mamet
    192,-

    A renowned psychologist, Charles, is asked to testify on behalf of one of his former patients who has committed a shooting. At first he is hesitant, and as his lawyer and his wife begin to tell him how he should handle the situation, Charles clings more fervently to his morals and his ethics. However, the tighter he clings, the more his reputation and career hang in the balance, especially as more truths are revealed about his relationship to his patient.

  • av David Mamet
    195,-

    A very wealthy businessman buys a plane to carry his fiancée, a non-US citizen, into Canada. However, an unexpected landing of the plane prompts an investigation into the man's affairs based on his tax payment history. As his assistant tries to help him put things back together, secrets are revealed, and it is discovered the man is a powerful political insider who's been evading tax law. The investigation deepens and his future is even more at risk.

  • av David Mamet
    211,-

    Nothing is quite what it seems in David Mamet's latest work. With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion -and the lack thereof. Premiered on Broadway, under the direction of the playwright, in Fall 2012 starring Patti LuPone and Debra Winger.

  • - Anti-semitism, Self-hatred, and the Jews
    av David Mamet
    201,-

  • av David Mamet
    219,-

    The Duck variations copyright: 1971. Sexual perversity in Chicago copyright: 1977.

  • av David Mamet
    204,-

    A fortune-teller's teasing rumination sends Edmond lurching into New York City's hellish underworld, his whole life abandoned in a searing quest for self-discovery and redemption.

  • av David Mamet
    220,-

  • - Reunion; Dark Pony; A Life in the Theatre; The Woods; Lakeboat; Edmond
    av David Mamet
    286,-

    The second in a series of "World Classics" presenting David Mamet's stage plays. Those in this volume date from the 1980s.

  • - November; Race; The Anarchist
    av David Mamet
    340,-

  • av David Mamet
    204,-

    Set in a modern-day courtroom in New York during a week when there are Middle East peace talks being brokered in town. This humorous play is a courtroom farce which lampoons the American judicial system and exposes the hypocrisy surrounding personal prejudices and political correctness.

  • av David Mamet
    203 - 215,-

    If theatre were a religion, explains David Mamet in his opening chapter, 'many of the observations and suggestions in this book might be heretical'. As always, Mamet delivers on his promise: in Theatre, the acclaimed author of Glengarry Glen Ross and Speed the Plow, calls for nothing less than the death of the director and the end of acting theory. For Mamet, actors are either good or they are non-actors, and good actors generally work best without the interference of a director, however well-intentioned. Issue plays, political correctness, method actors, impossible directions, Stanislavksy, and elitists all fall under Mamet's critical gaze. To students, teacher, and directors, who crave a blast of fresh air in a world that can be insular and fearful of change, Theatre throws down a gauntlet that challenges everyone to do better, including Mamet himself.From iconic and idiosyncratic director and playwright David Mamet, a mischievous manifesto designed to defrock the high priests and challenge the holy bibles of the theatre world.

  • av David Mamet
    172,-

    An adaptation of the well-known 1987 David Mamet film by critically acclaimed and award-winning writer Richard Bean.

  • av David Mamet
    204,-

    The term "Boston Marriage" is 19th century slang for the implied relationship between women who lived together, independent of men. This play examines the shifting and ambiguous relationship between two such women, Claire and Anna.

  • - Notes and Essays
    av David Mamet
    304,-

    A Whore's Profession brings together, for the first time, David Mamet's acclaimed volumes of notes and essays, including, The Cabin, Writing in Restaurants, Some Freaks and On Directing Film.

  • av David Mamet
    173,-

    When Fox comes up with an idea for a blockbuster movie, he and Gould think they've made it. For one blissful day the world seems about to open its arms to embrace them. This play is more than an anti-Hollywood satire - it is a comedy about a world where language is out of synch with emotion.

  • av David Mamet
    164,-

    The Pulitzer Prize winning playwright, director and teacher has written a blunt, unsparingly honest guide to acting. He leaves no aspect of acting untouched: how to judge the role, approach the part, work with the playwright; True and False slaughters a wide range of sacred cows and yet offers an invaluable guide to the acting profession.

  • av David Mamet
    204,-

    "The finest American playwright of his generation" (Sunday Times)

  • - Glengarry Glen Ross; Prairie du Chien; The Shawl; Speed-the-Plow
    av David Mamet
    321,-

    The third in a series of "World Classics" presenting David Mamet's stage plays. Those in this volume date from the 1980s.

  • - Duck Variations; Sexual Perversity in Chicago; Squirrels; American Buffalo; The Water Engine; Mr Happiness
    av David Mamet
    314,-

    The first in a series of volumes presenting Mamet's plays from the 1970s and 1980s, this book includes "Duck Variations", "Sexual Perversity in Chicago", "Squirrels", American Buffalo", "The Water Engine" and "Mr Happiness".

  • av David Mamet
    174,-

    This play was published to coincide with its British premiere, directed by Harold Pinter, at the Royal Court Theatre, London.

  • av David Mamet
    174 - 582,-

    First staged in Britain in 1983, 'Glengarry Glen Ross' is the tale of four real-estate salesmen in a cut-throat sales competition. It won the Pulitzer Prize in 1984 and was made into a film, starring Al Pacino, Jack Lemmon, Kevin Spacey and Alec Baldwin, in 1992. This Student Edition contains a full introduction, commentary and questions for study.

  • av David Mamet
    204,-

    A modern retelling of the classic tale of pride, folly and the ultimate wager

  • av David Mamet
    188,-

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