Bøker av David Forrest

Ken Loach's 1969 drama Kes, considered one of the finest examples of British social realism, tells the story of Billy, a working class boy who finds escape and meaning when he takes a fledgling kestrel from its nest.David Forrest's study of the film examines the genesis of the original novel, Barry Hines' A Kestrel for a Knave (1968), the eventual collaboration that brought it to the screen, and the film's funding and production processes. He provides an in depth analysis of key scenes and draws on archival sources to shed new light on the film's most celebrated moments. He goes on to consider the film's lasting legacy, having influenced films like Ratcatcher (1999) and This is England (2006), both in terms of its contribution to film history and as a document of political and cultural value. He makes a case for the film's renewed relevance in our present era of systemic economic (and regional) inequality, alienated labour, increasingly narrow educational systems, toxic masculinity, and ecological crisis. Kes endures, he argues, because it points towards the possibility for emancipation and fulfilment through a more responsive and nurturing approach to education, a more delicate and symbiotic relationship with landscape and the non-human, and an emotional articulacy and sensitivity shorn of the rigid expectations of gender.

The tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema - and in the process, it reignites debates over realism that have concerned scholars for decades.

This is the first full-length critical study of the work of Barry Hines, best know as the author of A Kestrel for a Knave -- .

'New Realism: Contemporary British Cinema represents an important intervention and innovation within ongoing debates on British film realism. Through detailed contextualised analysis of films by five distinctive key contemporary directors - Andrea Arnold, Clio Barnard, Joanna Hogg, Duane Hopkins and Shane Meadows - Dave Forrest makes a highly persuasive and cogent case for their work constituting a new model of realist filmmaking in 21st century British cinema which is no less politically charged for its poetic and haptic qualities. This insightful book is essential reading for anyone interested in film realism or contemporary British cinema.'Melanie Williams University of East AngliaThe tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema - and in the process, it reignites debates over realism that have concerned scholars for decades.David Forrest is Senior Lecturer in Film Studies at the University of Sheffield.Cover image: Better Things, Duane Hopkins, 2008 © Soda Pictures/PhotofestCover design:[EUP logo]edinburghuniversitypress.comISBN 978-1-4744-1303-9Barcode