Bøker av David Campany

Pioneer of color photography: comprehensive overview with unreleased photo material

Haas' most cherished and personal project-originally conceived as an audiovisual slideshow-is recreated here in stunning color that will delight his numerous fans as well as anyone interested in Kodachrome photography. Three decades after its completion, Haas' most personal and least-known project is now available for the first time in this exquisitely produced book. Presented in a clean and spare design, this volume features reproductions of superb quality that allow readers to appreciate his mastery of color, light, and composition, and his ability to capture the mystery of daily life. For this collection Haas drew on images made in all phases of his career from 1952 to 1984, and, despite the title, most of these photographs are not abstract but rather clear, focused, well-exposed images of recognizable surfaces from the observable world around him: crumbling paint, graphic road markings, fabric, liquids, detritus, decay, and torn posters. David Campany's eloquent introductory essay lays the groundwork for a deep appreciation of the slideshow which, in book form, can be savored and understood in an entirely new way.

Tod Papageorge produced the photographs for Dr. Blankman¿s New York in 1966¿67, on the heels of moving into the city. Photographer friends persuaded him that he could help pay the rent by landing some magazine assignments, and that a carousel tray of slides would be the best way of convincing art directors to take a chance on him. So, often after spending a day in the streets photographing in black-and-white, he would put a roll of Kodachrome film in his camera on his walk home and make color pictures, in many cases of shop windows, a subject he was convinced might help him earn a bit of commercial work.This re-issue of Dr. Blankman¿s New York, first published by Steidl in 2017, has enlarged the size of the plates and, with one exception, condensed the original design to a series of double spreads, intensifying the sense that what Papageorge was doing in these photographs was elaborating, on a parallel track, the portrayal of Manhattan presented in the black-and-white work of ¿Down to the City,¿ the first volume of his War and Peace in New York (also published by Steidl this season). For even their saturated colors and outwardly unremarkable subjects fail to dispel the impression that, rather than winning a magazine job, the shadow of the long war in Vietnam and the hysteria it sparked were the impulses actually charging the photographer¿s eye and deepest feelings.

With an interview with the artist, this richly illustrated volume catalogues British Conceptual artist John Stezaker's ongoing series of film still collages, first begun in 1979 and for which he is widely recognised.