Bøker av Dave Hickey

From the legendary and iconoclastic critic Dave Hickey, a collection of twenty of his most emblematic essays on art“We really don’t need to know the aesthetic and moral parameters of a work to love it—­only to know they are there.” —Dave Hickey The late Dave Hickey was a singular voice on art, music, democracy, and culture. Known for his radical criticism, he united different worlds through a range of literary styles and techniques to ultimately explore what it means to be human. Complementing his iconic collections Air Guitar and The Invisible Dragon, Feint of Heart unites twenty of Hickey’s characteristically astute essays on art from over twenty years, most of which were originally published in exhibition catalogues that are long out of print. The result is a volume that shows the writer at his most creative and incisive in an ever-relevant exploration of beauty and value. Compiled and with an introduction by the writer and critic Jarrett Earnest, this latest book is ideal for cult followers and new readers of Hickey, for artists and art critics, and for thinkers across all disciplines. Including essays on Terry Allen, Karen Carson, Sarah Charlesworth, Vija Celmins, Vernon Fisher, Robert Gober, Ann Hamilton, Luis Jiménez, Hung Lui, Josiah McElheny, Elizabeth Peyton, Lari Pittman, David Reed, Bridget Riley, Norman Rockwell, Ed Ruscha, Steve Schapiro, Richard Serra, and Andy Warhol, as well as Hickey’s 2002 text “Buying the World,” an incisive and ever-relevant exploration of beauty and value

"If this book of shocking intelligence and moral hope is read widely and above all well, word for word, it will help the world." -Peter SchjeldahlAn expanded edition of Hickey's controversial and exquisitely written apologia for beauty-championed by artists, reviled by art critics, and as powerful as ever 30 years onThe 30th anniversary cloth edition brings back into print Dragon's four essays on beauty and commingles them with newly discovered essays by the MacArthur Foundation "genius." Art by Caravaggio, Bellini, Velázquez, Raphael, Warhol and Mapplethorpe is complemented by Hickey's tributes to Dolly Parton and Richard Pryor, outing of John Rechy's gay novel Numbers, essays on the art of writing and witty analysis of paintings by Ed Ruscha. An afterword by Hickey's friend and Dragon's editor queers the brash, heterosexual gambler as it situates the creation of Dragon squarely within the AIDS plague. At the time, the book made beauty visible under the looming presence of death and bodily decay. Today, Hickey's prescient diagnosis of the "therapeutic institution" resonates even louder and artists respond by harnessing beauty as a source of meaning and of joy. Dave Hickey (1938-2021) was one of the preeminent arts and cultural writers of the turn of the 21st century. A MacArthur "Genius" Fellow known as the "beauty guy" in the popular press, Hickey opened A Clean, Well-Lighted Place gallery in Austin, Texas, in the 1960s, before becoming executive editor at Art in America magazine. In the 1970s, he was a songwriter in Nashville, Tennessee, where he coined and helped create the "Outlaw country" music movement. By the 1990s, Hickey had made a home in Las Vegas, from where he regularly traveled to speak with audiences worldwide.

A collection of essays by American art critic Dave Hickey, nicknamed "The Bad Boy of Art Criticism." When Dave Hickey was twelve, he rode the surfer's dream: the perfect wave. And, like so many things in life we long for, it didn't quite turn out--he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which nearly killed him. Hickey went on to develop a career as one of America's foremost critical iconoclasts, a trusted no-nonsense voice commenting on the worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey's career, displaying his breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge--or to surprise us in doing so--Hickey relates his wincing disappointment in the later career of his early hero Susan Sontag and shows us the appeal to our commonality that we've been missing in Norman Rockwell. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey's own life--including the aforementioned conclusion to his surfing career--Perfect Wave is a welcome addition to the Hickey canon.

The period between 1999 and 2016 was a particularly fruitful period in the reception of Bridget Rileys work. This handsome new anthology, Selected Writings, includes the significant writings that broadened the discourse and solidified Rileys reputation as one of the most important painters of her generation. The essays range from biographical and c

A collection of essays by American art critic Dave Hickey, nicknamed "The Bad Boy of Art Criticism." When Dave Hickey was twelve, he rode the surfer's dream: the perfect wave. And, like so many things in life we long for, it didn't quite turn out--he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which nearly killed him. Hickey went on to develop a career as one of America's foremost critical iconoclasts, a trusted no-nonsense voice commenting on the worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey's career, displaying his breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge--or to surprise us in doing so--Hickey relates his wincing disappointment in the later career of his early hero Susan Sontag and shows us the appeal to our commonality that we've been missing in Norman Rockwell. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey's own life--including the aforementioned conclusion to his surfing career--Perfect Wave is a welcome addition to the Hickey canon.

This books presents Dave Hickey doing what he does best: writing about art. These essays amount to his finest work on contemporary women artists. As he says, there exist numerous books about individual female artists, but hardly a one that presents women in multiple--in their full, rich diversity. Dedicated to the late museum director Marcia Tucker, the book journeys across the planet to engage with artists from the late Joan Mitchell, to Vija Celmins, Alexis Smith, Sarah Charlesworth, Bridget Riley, and Lynda Benglis and on to younger artists Pia Fries, Roni Horn, Elizabeth Peyton. Jennifer Steinkamp, and many more. A complement of color images rounds out the volume. Hickey also provides an introduction written especially for the volume.

Arguably one of Americas most unconventional art/cultural critics

Illustrates the finalists in the first Outwin Boochever Portrait Competition. Selected from more than 4,000 entries - from every state in the union - by a jury of experts, this work includes fifty-one portraits that provide evidence of the strength of portraiture, and signal the National Portrait Gallery's increased commitment to contemporary art.