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As a bold and gifted child, Branwell Bronte's promise seemed boundless to the three adoring sisters over whom his rule was complete. But as an adult, the precocious flame of genius distorted and burned low.With neither the strength nor the resources to counter rejection, unable to sell his paintings or publish his books, Branwell became a spectre in the Bronte story, in pathetic contrast with the astonishing achievements of his sisters.Daphne du Maurier concentrates all her biographer's skill on the shadowy figure of Branwell Bronte, and no reader could fail to be intensely moved by Branwell's final retreat into laudanum, alcohol - and death
Many accounts of the life of Francis Bacon have been written for scholars. But du Maurier's aim in this biography was to illuminate the many facets of Bacon's remarkable personality for the common reader.To her book she brought the same gifts of imagination and perception that made her earlier biography, Golden Lads, so immensely readable, siklfully threading into her narrative extracts from contemporary documents and from Bacon's own writings, and setting her account of his life within a vivid contemporary framework.This is truly history made alive.Unlike many authors of popular historical biographies, du Maurier resembled Antonia Fraser in being an indefatigable researcher - Francis King
As a young guide for Sunshine Tours, Armino Fabbio leads a pleasant, if humdrum life - until he becomes circumstantially involved in the death of an old peasant woman in Rome.The woman, he gradually comes to realise, was his family's beloved servant many years ago, in his native town of Ruffano. He returns to his birthplace, and once there, finds it is haunted by the phantom of his brother, Aldo, shot down in flames during the war.Over five hundred years before, the sinister Duke Claudio, known as The Falcon, lived his twisted, brutal life, preying on the people of Ruffano. But now it is the twentieth century, and the town seems to have forgotten its violent history. But have things really changed? The parallels between the past and present become ever more evident...She wrote exciting plots, she was highly skilled at arousing suspense, and she was, too, a writer of fearless originality - Guardian
She wrote exciting plots, she was highly skilled at arousing suspense, and she was, too, a writer of fearless originality - Guardian ----------------------------------------------------------------------------------------------------------------------------------------------------Both a spellbinding love story and a superb evocation of Cornwall's mythic past, Castle Dor is a book with unique and fascinating origins. It began life as the unfinished last novel of Sir Arthur Quiller-Couch, the celebrated 'Q', and was passed by his daughter to Daphne du Maurier whose storytelling skills were perfectly suited to the task of completing the old master's tale.The result is this magical, compelling recreation of the legend of Tristan and Iseult, transplanted in time to nineteenth-century Cornwall. A chance encounter between a Breton onion-seller, Amyot Trestane, and the newly-wed Linnet Lewarne launches their tragic story, taking them in the fateful footsteps of the doomed lovers of Cornish legend . . .
'When people play the game: Name three or four persons whom you would choose to have with you on a desert island - they never choose the Delaneys. They don't even choose us one by one as individuals. We have earned, not always fairly we consider, the reputation of being difficult guests . . .'Maria, Niall and Celia have grown up in the shadow of their famous parents - their father, a flamboyant singer and their mother, a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond, but it is Maria and Niall who share the secret of their parents' pasts. Alternately comic and poignant, The Parasites is based on the artistic milieu its author knew best, and draws the reader effortlessly into that magical world.
John and Laura have come to Venice to try and escape the pain of their daughter's death. But when they encounter two old women who claim to have second sight, they find that, instead of laying their ghosts to rest, they become caught up in a train of strange events. This volume contains stories that explore fears, longings, secrets and desires.
Jamaica Inn is a first-rate page-turner. - The Times ----------------------------------------------------------------------------------------------------------------------------------------------------After the death of her mother, Mary Yellan crosses the windswept Cornish moors to Jamaica Inn, the home of her Aunt Patience. There she finds Patience a changed woman, downtrodden by her domineering, vicious husband Joss Merlyn. The inn is a front for a lawless gang of criminals, and Mary is unwillingly dragged into their dangerous world of smuggling and murder. Before long she will be forced to cross her own moral line to save herself...
A magician, a virtuoso. She can conjure up tragedy, horror, tension, suspense, the ridiculous, the vain, the romantic - Good Housekeeping 'Mary Farren went into the gun room one morning about half-past eleven, took her husband's revolver and loaded it, then shot herself. The butler heard the sound of the gun from the pantry...'The fourteen haunting stories in this collection span the whole of Daphne du Maurier's writing career and explore every human emotion: an apparently happily married woman commits suicide; a steamer in wartime is rescued by a mysterious sailing-ship; a dull husband breaks loose in a surprising fashion; a con woman plays her game once too often; and a famous novelist looks for romance, only to meet with bitter disappointent. Each meticulously observed tale shows du Maurier's mastery of the genre.
'Someone jolted my elbow as I drank and said, "e;Je vous demande pardon,"e; and as I moved to give him space he turned and stared at me and I at him, and I realised, with a strange sense of shock and fear and nausea all combined, that his face and voice were known to me too well.I was looking at myself.'By chance, two men - one English, the other French - meet in a provincial railway station. Their resemblance is uncanny, and they spend the next few hours talking and drinking - until at last John, the Englishman, falls into a drunken stupor. It's to be his last carefree moment, for when he wakes, his French companion has stolen his identity and disappeared. So John steps into the Frenchman's shoes, and faces a variety of perplexing roles - as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing...A good original novel, well tinged with nightmare - Times Literary Supplement
Both her novels and her non-fiction reveal Daphne du Maurier's overwhelming desire to explore her family's history. In Myself When Young, based on diaries that she kept from 1920-1932, the most famous du Maurier probes her own past, beginning with her earliest memories and encompassing the publication of her first book and her subsequent marriage.Here, the writer is open and sometimes painfully honest about the difficult relationship with her father; her education in Paris; early love affairs; her antipathy towards London life and the theatre; her intense love for Cornwall and her desperate ambition to succeed as a writer. The resulting portrait is of a captivating and complex character.A delightful book, full of amusing and charming stories, pinpointing the literary influences and the first stirrings of books to be written in later years, and with a happy and romantic ending - THE TIMES
When Daphne du Maurier wrote this book she was only thirty years old and had already established herself both as a biographer, with the acclaimed Gerald: A Portrait, and as a novelist. The Du Mauriers was written during a vintage period of her career, between two of her best-loved novels: Jamaica Inn and Rebecca.Her aim was to write her family biography 'so that it reads like a novel' and it was due to du Maurier's remarkable imaginative gifts that she was able to breathe life into the characters and depict with affection and wit the relatives she never knew, including her grandfather, the famous Victorian artist and Punch cartoonist - and creator of Trilby.'Miss du Maurier creates on the grand scale; she runs through the generations, giving her family unity and reality . . . a rich vein of humour and satire . . . observation, sympathy, courage, a sense of the romantic, are here' Observer
Orphaned at an early age, Philip Ashley is raised by his benevolent cousin, Ambrose. Resolutely single, Ambrose delights in making Philip his heir, knowing he will treasure his beautiful Cornish estate. But Philip's world is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries - and then dies suddenly in suspicious circumstances. Before long, the new widow - Philip's cousin Rachel - arrives in England. Despite himself, Philip is drawn to this beautiful, mysterious woman. But could she have masterminded Ambrose's death?
Inspired by a grisly discovery in the nineteenth century, The King's General was the first of du Maurier's novels to be written at Menabilly, the model for Manderley in Rebecca.Set in the seventeenth century, it tells the story of a country and a family riven by civil war, and features one of fiction's most original heroines. Honor Harris is only eighteen when she first meets Richard Grenvile, proud, reckless - and utterly captivating. But following a riding accident, Honor must reconcile herself to a life alone.As Richard rises through the ranks of the army, marries and makes enemies, Honor remains true to him, and finally discovers the secret of Menabilly...
'His first instinct was to stretch out his hands to the sky. The white clouds seemed so near to him, surely they were easy to hold and to caress, strange-moving things belonging to the wide blue space of heaven . . . 'Julius Levy grows up in a peasant family in a village on the banks of the Seine. A quick-witted urchin caught up in the Franco-Prussian War, he is soon forced by tragedy to escape to Algeria. Once there, he learns the ease of swindling, the rewards of love affairs and the value of secrecy. Before he's twenty, Julius is in London, where his empire-building begins in earnest, and he becomes a rich and very ruthless man. Throughout his life, Julius is driven by a hunger for power, his one weakness his daughter, Gabriel . . . A chilling story of ambition, Daphne du Maurier's third novel has lost none of its ability to unsettle and disturb.
In this prescient novel, Daphne du Maurier explores the implications of leaving Europe for a political, economic and military alliance with the United States.'It is rather awful, Emma thought as she walked across the fields down to the farm, how this business is leading us all into subterfuge and deception, and we can't really tell who is friend and who is enemy . . . 'Emma wakes up one morning to an apocalyptic world. The cosy existence she shares with her grandmother, a famous retired actress, has been shattered: there's no telephone, no radio - and an American warship sits in the harbour. England has withdrawn from the European Common Market and, on the brink of bankruptcy, has decided that salvation lies in a union - political, military and economic - with the United States. Theoretically it is to be an equal partnership, but it soon begins to look like a takeover bid.As the two women piece together clues about the 'friendly' military occupation on their doorstep, family, friends and neighbours come together to resist the interlopers.The spirit of Britannia embodied - SUNDAY TELEGRAPH
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