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Cabals and Satires: Mozart's Comic Operas in Vienna is a study of the political context in which Mozart wrote his three most famous Italian comedies, Figaro, Don Giovanni, and Così fan tutte. Joseph II's decision to place his opera buffa troupe in competition with the Singspiel provoked a struggle between the rival national genres, both supported by vociferous cabals. Mozart's deft navigation of the turbulentpolitical waters of this period and the ensuing Austro-Turkish War left him well placed to benefit from the revival of the commercial stage in Vienna-the most enduring musical consequence of the lean war years.