Bøker av Christopher Reid

In Christopher Reid's marvellous new collection, a schoolboy furtively and thrillingly drops a marble through the top of his desk so that it makes its way in darkness along a complicated chute of books, rulers and rubbish, only to emerge from a hole in the base and be caught deftly in his other hand. The poem is titled 'Homeric' and might serve as a clue to the mood and construction of the collection in general, where the poet, now in his seventies, seeks to track down and commune with his much younger self. It is an investigation that tests Wordsworth's 'the child is father of the man' by contriving a series of transtemporal encounters between two selves who may now, conceivably, begin to understand each other.Reid was born in Hong Kong and, thanks to the roving nature of his father's employment, spent some of his childhood in foreign places. Most of the locations in this book, however, are the Britain of the 1950s and '60s - perhaps, at this distance in time, no less exotic. As the poems move from pre-verbal experience to adolescence, the younger self is captured in scenes that illuminate the steps by which a man - a poet - has been raised. Another poem conjures up the childhood of Henry James in order to reflect on 'the large part /mystery plays in both childhood and art,' a proposition that the book as a whole may be said to endorse through both its wondering gaze and its ingenuity.

An exploration of love and loss by the renowned Costa Award-winning poetYou lived at such speed that the ballpoint script running aslant and fadingacross the faded bluecan scarcely keep up. Many words are illegible. I missimportant steps. Your movements blur. I want to follow, but can't.A Scattering is a book of lamentation and remembrance, its subject being Christopher Reid's wife, the actress Lucinda Gane, who died of cancer at the age of fifty-five. First published in the UK in 2009 to wide acclaim, winning the Costa Book of the Year, this moving and fiercely self-reflective collection is divided into four poetic sequences. The first was written during a holiday a few months before Gane's death with the knowledge that the end was approaching; the second recalls her last courageous weeks, spent in a hospice in London; the third continues the exploration of bereavement from a variety of perspectives; and the fourth addresses her directly, celebrating her life, personality, and achievements. Paired for the first time with Anniversary, which was written to commemorate the tenth anniversary of Gane's death, A Scattering and Anniversary brings the poet into dialogue, again, with the wife he loved. A moving exploration of the stages of grief and how the "weighty emptinesses" that remain after bereavement change us, A Scattering and Anniversary shows us what it means to love, lose, and-forever changed-continue on.

The new collection of poems from Christopher Reid.

A Scattering is a book of lamentation and remembrance, its subject being Christopher Reid's wife, the actress Lucinda Gane, who died of cancer at the age of fifty-five. A moving exploration of the stages of grief, A Scattering and Anniversary shows us what it means to love, lose, and - forever changed - continue on.

Originally conceived by Eliot himself, Old Toffer's Book of Consequential Dog poems are a witty, varied and exquisitely compiled as Eliot's cats.

Lunch in Soho with a former lover - but Zanzotti's is under new management, and as the wine takes effect fond memories give way to something closer to the bone. A mock-elegy for the heady joys of old-time Soho, The Song of Lunch displays the full range of Christopher Reid's wit, craft and human sympathy.

It follows the exploits of a group of hapless bards, more intimately connected than they themselves can possibly know, in their attempts to navigate the hazards of London literary society. Reid's colourful cast includes an ageing ex-offender, a lecherous academic, a fading grande dame and her underachieving best friend, and two young graduates, one as feckless as the other is ambitious. Hard as each may try, the poets' attempts at literary and social advancement are continually hampered both by fate and by a variety of personal shortcomings, ensuring that their story accelerates irrevocably towards comic catastrophe and collapse. Six Bad Poets is a delicious romp through a world that the author has observed closely over many years, and from which he reports with merciless accuracy, zest and humour.

This study offers an authoritative and readable account of the hidden history of book theft in eighteenth-century London. Finally, the authors ask what the Proceedings tells us about the social ownership of books, and how the phenomenon of book theft differently affected book producers and consumers.