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Breaking from half a century of postmodernist readings of poetry, and bypassing the false divide between formalist and historicist criticism, these essays chart a path toward a new Marxist poetics.In these innovative essays on poetry and capitalism, collected over the last fifteen years, Christopher Nealon shines a light on the upsurge of anticapitalist poetry since the turn of the century, and develops fresh ways of thinking about how capitalist society shapes the reading and the writing of all poetry, whatever its political orientation.
Christopher Nealon's reexamination of North America's poetry in English, from Ezra Pound and W. H. Auden to younger poets of the present day, argues persuasively that the central literary project of the past century was to explore the relationship between poetry and capitalism-its impact on individuals, communities, and cultures.
Suitable for those working on gay and lesbian studies, American literature and culture, and twentieth century history, this book analyses texts produced by American gay men and lesbians in the first half of the twentieth century.
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