Gjør som tusenvis av andre bokelskere
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I wanted to call these exercises "Casual Ablutions," in memory of the immortal sign in the washroom of the British Museum, but my arbiter of elegance forbade it. You remember that George Gissing, homeless and penniless on London streets, used to enjoy the lavatory of the Museum Reading Room as a fountain and a shrine. But the flinty hearted trustees, finding him using the wash-stand for bath-tub and laundry, were exceeding wroth, and set up the notice:these basins are forcasual ablutions onlyI would like to issue the same warning to the implacable reader: these fugitive pieces, very casual rinsings in the great basin of letters, must not be too bitterly resented, even by their publishers. To borrow O. Henry's joke, they are more demitasso than Tasso. -- Christopher Morley
Morley was born in Bryn Mawr, Pennsylvania. His father, Frank Morley, was a mathematics professor at Haverford College; his mother, Lilian Janet Bird, was a violinist who provided Christopher with much of his later love for literature and poetry."I warn you," said the funny-looking little man with the red beard, "I?m here to sell this caravan of culture, and by the bones of Swinburne I think your brother's the man to buy it."
Robert Schumann and Clara Wieck were drawn to each other the moment they met, but there were obstacles in the way. Clara was ten years younger and her domineering father, Friedrich Wieck, Robert's piano teacher, was against their relationship as it developed over the years. He saw Robert as a dissolute womaniser, and he saw his own reflected glory disappearing if Clara's career prospects as a pianist diminished. But the couple did marry, with help from the judiciary, and had a happy life together, so happy that their increasing number of children did indeed hamper Clara's performing opportunities. Then a young composer, Johannes Brahms, came into their household as a disciple of Schumann and nothing would ever be the same again. About The Author Christopher Morley is Chief Music Critic of the Birmingham Post, and contributes to several international magazines. Schumann has always been very special to him, and a visit to the asylum in which the composer died made a huge impression upon him.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.