Bøker av Charles W. Chesnutt

The Marrow of Tradition (1901), was based on the 1898 race riot in Wilmington, North Carolina and depicts the problems afflicting the New South, offering an invective that criticizes the nation's panicked responses to issues of social equality and miscegenation. Set in the fictional town of Wellington, The Marrow ofTradition centers on two prominent families, the Carterets and the Millers, and explores their remarkably intersected lives. Major Philip Carteret, editor of The Morning Chronicle newspaper, emerges as the unabashed white supremacist who, along with General Belmont and Captain George McBane, seeks to overthrow "Negro domination," setting in motion those events that culminate in the murderous "revolution." Dr. William Miller, following his medical education in the North and abroad, has returned home to "his people," establishing a local black hospital in Wellington. Dr. Miller's wife, Janet, is the racially mixed half-sister of Major Carteret's wife, Olivia. Not surprisingly, Olivia Merkell Carteret struggles to suppress the truth of her father's scandalous second marriage to Julia Brown, his black servant and Janet Miller's mother.

The Marrow Of Tradition is a novel is complex novel grounded on a historically accurate account of the Wilmington, North Carolina "race riot" of 1898. It was written by African-American writer Charles Waddell Chesnutt.In this book, the writer narrates a fictional story of the white supremacist movement when a number of African Americans were killed and thousands of them more from their homes.The story revolves around two prominent families, the Carterets and the Millers. Major Philip Carteret, the editor of The Morning Chronicle newspaper, has emerged as the unblemished white supremacist who, along with General Belmont and Captain George McBain, seeks to overthrow "Negro supremacy", triggering the events that culminate in a deadly "revolution". Dr. William Miller, after his medical education in North, has returned home to "his people", founding a local Black hospital in Wellington. Dr. Miller's wife, Janet, is Major Carteret's wife, Olivia's racially mixed half-sister. Not surprisingly, Olivia Merkel Carteret struggles to suppress the truth of her father's scandalous second marriage to her black servant and Janet Miller's mother, Julia Brown.

The Marrow of Tradition, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

The Conjure Woman is a collection of short stories by African-American fiction writer, essayist, and activist Charles W. Chesnutt. First published in 1899, it is considered a seminal work of African-American literature. Written in the late nineteenth century, a time of enormous growth and change for a country only recently reunited in peace, these stories act as the uneasy meeting ground for the culture of northern capitalism, professionalism, and Christianity and the underdeveloped southern economy, a kind of colonial Third World whose power is manifest in life charms and magic spells, all embodied by the ruling figure of the conjure woman. Charles Waddell Chesnutt was an author, essayist and political activist, best known for his novels and short stories exploring complex issues of racial and social identity.

The House of a Thousand Candles is a famous work by Meredith Nicholson. Nicholson lived and traveled extensively in Indiana and it was a rich resource for his writing. The House of a Thousand Candles provides readers with the view of an outsider coming to Indiana. The book begins: Pickering's letter bringing news of my grandfather's death found me at Naples early in October. John Marshall Glenarm had died in June. He had left a will which gave me his property conditionally, Pickering wrote, and it was necessary for me to return immediately to qualify as legatee. It was the merest luck that the letter came to my hands at all, for it had been sent to Constantinople, in care of the consul-general instead of my banker there.

An early slave narrative, a skilfully woven satire on the stereotypes of plantation life and the apparently beneficent white owner. Told as a series of gentle fables, in the style of Aesop.

Chesnutt's novel, originally published in 1901, depicts the rise of the white supremacist movement after the failure of southern Reconstruction and led to the bloody tragedy of the Wilmington race riots.

Originally released in 1899, this seminal collection of short stories present the complexities of the Black-American experience in the Postbellum South. Chesnutt's often subversive tales challenge popular representations of racial identity.

A collection from one of our most influential African American writers An icon of nineteenth-century American fiction, Charles W. Chesnutt, an incisive storyteller of the aftermath of slavery in the South, is widely credited with almost single-handedly inaugurating the African American short story tradition and was the first African American novelist to achieve national critical acclaim. This major addition to Penguin Classics features an ideal sampling of his work: twelve short stories (including conjure tales and protest fiction), three essays, and the novel The Marrow of Tradition. Published here for the 150th anniversary of Chesnutt's birth, The Portable Charles W. Chesnutt will bring to a new audience the genius of a man whose legacy underlies key trends in modern black fiction.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust theseries to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-datetranslations by award-winning translators.

Explores the lives and fates of two young African-Americans who decide to pass for white in order to claim their share of the American dream. By the author of "The Marrow of Tradition".

Written in 1905, this is a compelling tale of the post-Civil War South's degeneration into a region awash with virulent racist practices against African Americans: segregation, lynchings, disenfranchisement, convict-labor exploitation, and endemic violent repression. The events are powerfully depicted from the point of view of a philanthropic but unreliable southern white colonel.

Published in paperback for the first time, A Business Career is the story of Stella Merwin, a white woman entering the working-class world to discover the truth behind her upper-class father's financial failure. A "New Woman" of the 1890s, Stella joins a stenographer's office and uncovers a life-altering secret that allows her to regain her status and wealth.

The critique of white male society that Charles W. Chesnutt launched in A Marrow of Tradition continues in this novel, one of six manuscripts left unpublished when this highly regarded African American innovator died. Set in Boston society, on a deserted Caribbean island, and in Brazil, Evelyn's Husband is the story of two men in love with the same young woman.

Chesnutt wrote this novel at the beginning of the Harlem Renaissance, but set it in a time and place favoured by George Washington Cable. Published now for the first time, Paul Marchand: Free Man of Color examines the system of race and caste in nineteenth-century New Orleans.

John Walden, a young black man, decides to pass for white in order to earn what he feels is his share of the American dream. Without sentimentality, this novel probes deeply into the white South's obsessions with race and privilege.

This book collects the letters written between 1906 and 1932 by the African-American novelist and civil rights activist Charles W. Chesnutt (1858-1932). His correspondents included prominent members of the Harlem Renaissance as well as major American political figures Chesnutt sought to influence on behalf of his fellow African Americans.

The first African American fiction writer to earn a national reputation, Charles W. Chesnutt remains best known for his depictions of Southern life before and after the Civil War.

Charles W. Chesnutt (1858-1932) has been considered by many the major African-American fiction writer before the Harlem Renaissance. This book collects essays he wrote from 1899 through 1931, the majority of which concern white racism, and political and literary addresses he made to both white and black audiences from 1881 through 1931.

Fourteen conjure tales by one of America's most influential African American fiction writers.

Born on the eve of the Civil War, Charles W. Chesnutt grew up in Fayetteville, North Carolina, a county seat of four or five thousand people, a once-bustling commercial center slipping into postwar decline. Poor, black, and determined to outstrip his modest beginnings and forlorn surroundings, Chesnutt kept a detailed record of his thoughts, observations, and activities from his sixteenth through his twenty-fourth year (1874-1882). These journals, printed here for the first time, are remarkable for their intimate account of a gifted young black man''s dawning sense of himself as a writer in the nineteenth century. Though he achieved literary success in his time, Chesnutt has only recently been rediscovered and his contribution to American literature given its due. The only known private diary from a nineteenth-century African American author, these pages offer a fascinating glimpse into Chesnutt''s everyday experience as he struggled to win the goods of education in the world of the post-Civil War South. An extraordinary portrait of the self-made man beset by the urgencies and difficulties of self-improvement in a racially discriminatory society, Chesnutt''s journals unfold a richly detailed local history of postwar North Carolina. They also show with great force how the world of the postwar South obstructed--and, unexpectedly, assisted--a black man of driving intellectual ambitions.

Reassembles the Charles W Chesnutt's work in the conjure tale genre. This work allows the reader to see how the original volume was created, how an African American author negotiated with the tastes of the dominant literary culture of the late nineteenth century, and how that culture both promoted and delimited his work.