Bøker av Charles Rosen

In the book, Rosen concentrates on the three major figures of the time - Haydn, Mozart and Beethoven - because 'it is in terms of their achievements that the musical vernacular can best be defined'. In this expanded edition, Rosen follows the development of each composer's best known genres: for Haydn, the symphony and string quartet;

A guide to the piano sonatas of Beethoven. Charles Rosen places the works in context and provides an understanding of the formal principles involved in interpreting and performing this unique repertoire. He also looks at the sonatas individually. There is a free CD of extracts from the sonatas.

The Joy of Playing, the Joy of Thinking brings together two sensitive minds in an exhilarating conversation on the arts. Charles Rosen, concert pianist and pioneering musicologist, and writer Catherine Temerson range widely-from musical aesthetics to tales of the great composers, the development of modernism, and the need to play.

This work probes the structure and significance of the increasingly numerous and highly visible plays set in contemporary society's dead ends the hospitals, insane asylums, prisons, and military training camps so aptly described by Erving Goffman as total institutions."e; Carol Rosen shows how the setting in these plays tends to engulf and then to exclude the audience, turning an encompassing stage structure a closed, controlling, absolute system into a protagonist that overwhelms the characters.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In this eloquent, intimate exploration of the delights and demands of the piano, world-renowned concert pianist and music writer Charles Rosen draws on a lifetime's wisdom to consider every aspect of the instrument: from what makes a beautiful sound to suffering from stage fright, from the physical challenges of playing to tales of great musicians, including Vladimir Horowitz's recording tricks, Rachmaninov's hands and why Artur Rubenstein applied hairspray to the keys. Gracefully blending anecdote, history, expertise and memoir, Piano Notes will enchant anyone with a passion for music.

Masterful essays honoring the great pianist and critic Charles Rosen, on masterpieces from Bach and Beethoven to Chopin, Verdi, and Stockhausen.Charles Rosen, the pianist and man of letters, is perhaps the single most influential writer on music of the past half-century. While Rosen's vast range as a writer and performer is encyclopedic, it has focused particularly on theliving "e;canonical"e; repertory extending from Bach to Boulez. Inspired in its liveliness and variety of critical approaches by Charles Rosen's challenging work, Variations on the Canon offers original essays by some of the world's most eminent musical scholars. Contributors address such issues as style and compositional technique, genre, influence and modeling, and reception history; develop insights afforded by close examination of compositional sketches; and consider what language and metaphors might most meaningfully convey insights into music. However diverse the modes of inquiry, each essay sheds new light on the works of those composers posterity has deemed central to the modern Western musical tradition. Contributors: Pierre Boulez, Scott Burnham, Elliott Carter, Robert Curry, Walter Frisch, David Gable, Philip Gossett, Jeffrey Kallberg, Joseph Kerman, Richard Kramer, William Kinderman, Lewis Lockwood, Sir Charles Mackerras, Robert L. Marshall, Robert P. Morgan, Charles Rosen, Julian Rushton, David Schulenberg, Laszlo Somfai, Leo Treitler, James Webster, and Robert Winter. Robert Curry is principalof the Conservatorium High School and honorary senior lecturer in the Centre for Medieval Studies, University of Sydney; David Gable is Assistant Professor of Music at Clark-Atlanta University; Robert L. Marshall is Louis, Frances, and Jeffrey Sachar Professor Emeritus of Music at Brandeis University.

This book brings together many of the essays that have established Rosen as one of the most influential and eloquent voices in the field of music in our time. They cover a broad range of musical forms, historical periods, and issues, offering enlightenment on subjects as diverse as music dictionaries and the aesthetics of stage fright.

Charles Rosen gives us a performance of literary criticism as high art, a critical conjuring of the Romantic period by way of some of its central texts. Throughout this volume we hear the voice of a shrewd aesthetic interpreter, performing the critic's task even as he redefines it in his sparkling fashion.

This outstanding book treating the three most beloved composers of the Vienna School is basic to any study of Classical-era music. Drawing on his rich experience and intimate familiarity with the works of these giants, Charles Rosen presents his keen insights in clear and persuasive language. For this expanded edition, now available in paperback for the first time, Rosen has provided a new, 64-page chapter on the later years of Beethoven and the musical conventions he inherited from Haydn and Mozart. The author has also written an extensive new preface in which he responds to other writers who have commented on his ideas.

Is there a moment in history when a work receives its ideal interpretation? Or is perpetual negotiation required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations, exists in a delicate balance with fidelity to the identity of the original work.

What Rosen's The Classical Style did for music of the Classical period, this highly praised volume does for the Romantic era. An exhilarating exploration of musical language, forms, and styles of the period, it captures the spirit that enlivened a generation of composers and musicians, and so conveys the very sense of Romantic music.

Originally the content of three lectures, this work offers a bold and inspiring study of music, as text, as performance, and as a listening experience.