Bøker av Catherine Maxwell

Best known for his sexually provocative Poems and Ballads (1866), Algernon Charles Swinburne (1837-1909) was much admired throughout the 19th-century for his daring subject matter and superb poetic craftsmanship. After a decline in popularity in the twentieth century, his reputation has steadily recovered, and he is now becoming more widely read and studied. This book introduces the reader to the work for which Swinburne is most famous, concentrating on three major collections - Poems and Ballads 1 (1866), Songs before Sunrise (1871) and Poems and Ballads 2 (1878), as well as a number of his most influential essays. Representative close readings of selected poems and essays reveal the often complex webs of reference and allusion which give his work depth and richness. Throughout, special emphasis is placed on the ways in which Swinburne challenges and compels his readers to move beyond their regular viewpoints to experience new insights and perspectives.

Traces Milton's mark on Shelley, Tennyson, Browning and Swinburne to show how the lyric male poet achieves vision at the cost of symbolic blindness and feminisation. This book examines the feminisation of the post-Miltonic male poet through a series of mythic or classical figures which include Philomela, Orpheus and Sappho.

An innovative reassessment of late Victorian literature and its relation to visionary Romanticism through its examination of six late Victorian writers - Dante Gabriel Rossetti, Walter Pater, Vernon Lee, Eugene Lee-Hamilton, Theodore Watts-Dunton and Thomas Hardy.

This, the first collection of essays on the aesthete and intellectual Vernon Lee, offers a wide range of critical writings by scholars. Key works are examined including Euphorion, Hauntings: Fantastic Stories and Music and Its Lovers . New light is shed on Lee's relationships with contemporaries such as Lee-Hamilton, Pater and Wilde.