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This book re-locates Elizabeth Gaskell¿s ¿smaller stories¿ in the literary and cultural context of the nineteenth century. While Gaskell is recognised as one of the major novelists of her time, the short stories that make up a large proportion of her published work have not yet received the critical attention they deserve. This study re-claims them as an indispensable part of her literary output that enables us to better contextualize and assess her achievement holistically as a highly-skilled woman of letters. The periodicals in which Gaskell¿s shorter pieces were published offer a microcosm of nineteenth-century society, and Gaskell took full advantage of the medium to apply a consistent and barbed challenge to cultural and gendered constructs of roles and social behaviour. Although her eminently readable prose still flows easily in her short stories, it is less likely to elide the sharp corners of domestic violence, the disabling experiences of women, the pain of death and loss, andthe complications of family life.
The periodicals in which Gaskell's shorter pieces were published offer a microcosm of nineteenth-century society, and Gaskell took full advantage of the medium to apply a consistent and barbed challenge to cultural and gendered constructs of roles and social behaviour.
In this beautifully written study, Carolyn Lambert explores the ways in which Elizabeth Gaskell challenges the nineteenth-century cultural construct of the home as a domestic sanctuary offering protection from the external world. Gaskell's fictional homes often fail to provide a place of safety: doors and windows are ambiguous openings through which death can enter, and are potent signifiers of entrapment as well as protective barriers. The underlying fragility of Gaskell's concept of home is illustrated by her narratives of homelessness, a state she uses to represent psychological, social, and emotional separation.By drawing on novels, letters and non-fiction writings, Lambert shows how Gaskell's detailed descriptions of domestic interiors allow for nuanced and unconventional interpretations of character and behaviour, and evince a complex understanding of the significance of home for the construction of identity, gender and sexuality. Lambert's Gaskell is an outsider whose own dilemmas and conflicts are reflected in the intricate and multi-faceted portrayals of home in her fiction.
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