Bøker av Billy Collins

Billy Collins is one of the world's most popular poets. While his poems often begin in the everyday and domestic, fans know that they might end anywhere - and that they will lift their heads from the book to a world startlingly different from the one they had left moments before. Billy Collins' previous collection, Taking Off Emily Dickinson's Clothes, was an extraordinary success, introducing thousands of readers to his exhilarating poetry for the first time. By turns wildly funny and intensely moving, Nine Horses has won Billy Collins even more admirers.

"In more than sixty new poems, Billy Collins writes with joy and wonder about the beauty and irony of daily life. The best poetry, he believes, begins with clarity and ends in mystery, and in Water, Water we encounter a writer endlessly astonished by the world all around. Turning his eye to the cat drinking from the swimming pool or the nurse calling your name in the waiting room or the astronaut reading Emily Dickinson while orbiting earth, Collins captures images and moments that mean so much more than they might initially seem. With a voice both simple and melodic, hospitable and lyrical, the poetry of Billy Collins asks each of us to slow down and notice the commonplace in order to discover the sublime. No wonder The New York Times and The Wall Street Journal both call him one of America's favorite poets"--

From the former United States Poet Laureate and New York Times bestselling author of Aimless Love comes a collection of more than 125 small, incisively brilliant poems which, in his own words, ¿begin in Kansas and end in Oz.¿

'Funny but serious, accessible but rich in meaning, consistently surprising - the world looks slightly different after reading a Billy Collins poem. He's a one-off, an American treasure' Nick Laird These are poems of whimsy and imaginative acrobatics, but they are grounded in the familiar, common things of everyday experience. Collins takes us for a walk with an impossibly ancient dog, discovers the proper way to eat a banana, meets an Irish spider, and invites us to his own funeral. Facing both the wonders of being alive and the thrill of mortality, these new poems can only solidify Collins's reputation as one of America's most durable and interesting poets.

Aimless Love is Billy Collins' first compilation of poems in twelve years, and a wonderful successor to his first, the bestselling Taking Off Emily Dickinson's Clothes. Aimless Love presents more than fifty new poems together with generous selections from his four previous books. No poet writing today communicates so directly and effectively, and no living poet has managed to both enrich the tapestry of contemporary poetry and expand it so dramatically: his poems appeal to readers and live audiences across the globe, and have been translated into more than a dozen languages. By turns playful, ironic and serious, Collins's poetry unearths the wonder in the everyday: in his own words, his poems 'begin in Kansas and end in Oz'. Weaving the themes of love, loss, joy and poetry itself, these poems showcase the best work of this 'poet of plenitude, irony, and Augustan grace'.

The New York Times BestsellerFrom former U.S. Poet Laureate Billy Collins comes a twelfth collection of poetry offering nearly fifty new poems that showcase his trademark generosity, wit, and imaginative play.The Rain in Portugal - a title that admits he's not much of a rhymer - sheds Collins's ironic light on such subjects as travel and art, cats and dogs, loneliness and love, beauty and death. His tones range from the whimsical - 'the dogs of Minneapolis . . . / have no idea they're in Minneapolis' - to the elegiac in a reaction to the death of Seamus Heaney. A student of the everyday, here Collins contemplates a weathervane, a still-life painting, the calendar, and a child lost at a beach. His imaginative fabrications have Shakespeare flying comfortably in first class and Keith Richards supporting the globe on his head. By turns entertaining, engaging, and enlightening, The Rain in Portugal amounts to another chorus of poems from one of the most respected and familiar voices in the world of poetry.

However arresting, outlandish, or hilarious, the poems in Horoscopes for the Dead are typically prompted by the familiar things of the world: dogs, stars, food, love, and marriage as well as life's local triumphs and disappointments, joys and shames. Collins's gift is to unlock the mysterious in the ordinary, and he is always careful to take his reader with him. Indeed, no other living poet has done more to reengage and revitalize poetry's readership, or so deservedly earned its trust. Few poets have his ability to mix bold, unadorned statements with lyric invention and imaginative richness. And here in these new poems, Collins's inimitable tone - wry, smart, funny, and wise - takes on a darker shade, as the poems declare a deep awareness of transience and mortality. The result is the revelation of a world more precious, more fragile, richer in colour and form than ever. Praise for Billy Collins 'A writer . . . fully aware of his work's power to delight' New York Times 'A poet of plentitude, irony, and Augustan grace' New Yorker

It is no understatement to say that Billy Collins has found poetry a whole new audience across the English-speaking world. No poet writing today insists on such open, direct and courteous engagement with the reader, and no poet has shown the common experience to be such an astonishing and singular one. Collins' gift is to make the reader believe that everything is unfolding in real time and in living speech; his poetry always has the sheen and vibrancy of the present moment. While Ballistics addresses the most grave and serious of subjects - death and love, solitude and aging - Collins' light touch and lighter spirit never desert him. Even in his darkest verses, Collins never fails to remind us of the sheer miracle, comedy and strangeness of our simply being here. 'The teasing, buoyant images in Ballistics are firmly anchored in visions of too-quiet mornings, droplets of water, cold marble and bare light bulbs. But he now writes, more simply and assuredly than he used to, about the flights of imagination that keep melancholy at bay . . . Ballistics glows with the confidence of a writer fully aware of his work's power to delight' New York Times

The Trouble with Poetry is the new collection from probably the most popular poet in the entire planet, and finds everyone's favourite contemporary Pre-Socratic in as funny and wise (and sometimes joyfully silly) form as ever. Billy Collins's tone is inimitable. Drawled and knowing, yet without a hint of world-weariness or cynicism, he fearlessly addresses the reader as friend and intimate -- and comrade, inviting them to square up to the various collective crises of the bald ape in the 21st century. Collins remains the only poet who can write about the next-to-nothing of our lives, the little boredoms, habits and frustrations of our daily and domestic existence, revealing their true importance and meaning -- and demonstrating that the same historical and cosmic forces bear upon them as upon the great events of the age. 'Billy Collins is one of my favourite poets in the world' Carol Ann Duffy 'I'd follow this man's mind anywhere' Michael Donaghy 'Billy Collins's poems describe all the worlds that are and were and some others besides' John Updike