Bøker av Bethan Roberts

An exquisitely told tragic tale of thwarted love, My Policeman is soon to be adapted into film by Amazon Prime starring Harry Styles and Emma Corrin. It is in 1950s' Brighton that Marion first catches sight of Tom.

Discover an exquisitely told, tragic tale of thwarted love.It is in 1950s' Brighton that Marion first catches sight of Tom. He teaches her to swim in the shadow of the pier and Marion is smitten - determined her love will be enough for them both. A few years later in Brighton Museum Patrick meets Tom. Patrick is besotted with Tom and opens his eyes to a glamorous, sophisticated new world. Tom is their policeman, and in this age it is safer for him to marry Marion. The two lovers must share him, until one of them breaks and three lives are destroyed.'A moving story of longing and frustration' Observer

What happens when your only son becomes The King of Rock 'n' Roll?From the moment she first holds him, after his twin brother is stillborn, Gladys Presley loves her son Elvis ferociously.

This book offers the first full-length study of Charlotte Smith's Elegiac Sonnets and clarifies its 'place' - in multiple ways - in literary history as a work celebrated for 'making it new', yet deeply engaged with the literary past. It argues that Smith's sonnets are constituted by three intertwined concerns: with tradition, place and the sonnet form itself, whereby the subjects of Smith's sonnets - across birds, rivers, the sea, plants and flowers - are bound up with the literary context in which she wrote. Charlotte Smith and the Sonnet shows that Smith's verse engages more deeply with tradition than has hitherto been realised and revises our understanding not only of Smith's career but also of the sonnet in eighteenth-century England. The book also illuminates Smith's place in posterity, as a popular poet - influencing figures ranging from Wordsworth and Coleridge to Constable - who was subsequently obscured in literary history. It reveals the complex processes underpinning Smith's reception and paradoxical position from the late eighteenth century to the present day, and shows that the appropriation of place itself was an important way in which aspects of literary tradition have been negotiated and understood by Smith, her predecessors, contemporaries and successors.

How does it feel to come home from work one evening and find your two-year-old son gone? How does it feel to steal another woman's child? To take a boy from his mother, and try to make him yours, make things right? This is the story of two women, Nula and Maggie, joined by old family history and love for the same little boy.