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The rediscovered classic: an unforgettable memoir by a trailblazing black woman in post-war London, introduced by Bernardine Evaristo ('I dare anyone to read it and not come away shocked, moved and entertained')Benjamin Zephaniah: 'A must-read. Her life makes you laugh. Her life makes you cry. Get to know her.'Jacqueline Wilson: 'A superb but shocking memoir ... Imaginative, resilient and inspiring.'Christie Watson: 'A beautiful memoir of one woman's strength and dignity against the odds.'Steve McQueen: 'Gilroy blazed a path that empowered generations of Black British educators.'David Lammy: 'This empowering tale of courage, resistance, and triumph is a breath of fresh air.'Diana Evans: 'Important, enlightening and very entertaining, full of real-life drama ... Inspirational.'Paul Mendez: 'Written with a novelist's ear and sense of atmosphere ... A vital and unique testament.'Jeffrey Boakye: 'A landmark. Warm and wise ... Life lessons we can all learn from.'Alex Wheatle: 'A pioneer in many fields and wonderful example for all of us ... Essential reading.'Denied teaching jobs due to the colour bar. Working in an office amidst the East End's bombsites. Serving as a lady's maid to an Empire-loving aristocrat. Raising two children in suburbia. Becoming one of the first black headteachers in Britain.In 1952, Beryl Gilroy moved from British Guiana to London. Her new life wasn't what she expected - but her belief in education resulted in a revolutionary career. Black Teacher, her memoir, is a rediscovered classic: not only a rare insight into the Windrush generation, but a testament to how her dignity, ambition and spirit transcended her era.**WATERSTONES PICK: JULY'S BEST BOOKS**Reader Reviews:'Incredibly important ... Such an interesting read, and I am so glad that it is being republished.''Wonderful and insightful. I really, thoroughly enjoyed reading this book.''Eye-opening ... A powerful reminder of how far we have come ... Beautifully written ... I wish everyone could have a teacher like Beryl!''Really lovely, and a surprisingly quick read ... I wish I could have met her.''A great piece of history [with] so much relevance even today as it touches upon issues of race, education and female empowerment.''Excellent [on] what it was really like for the Windrush Generation... Highly recommended.'
Set in multiracial London, this new novel from Peepal Tree's most popular writer is a comedy about identity, community, growing old (and people and dogs). Beneath the laughter lurks a bittersweet sense of human fragility and impermanence.
This book brings back to life in rich detail the Afro-Guyanese village community of the author's childhood, where there were old people who had been slaves as children and Africa was not forgotten. It was a time when children did not have open access to the world of adults and childhood had not yet disappeared, and perhaps for this reason, the men and women who pass through these stories have a mystery and singularity that are as unforgettable for the reader as they were for the child.
A complex exploration of the cultural conflicts of race and gender, this novel focuses on the journey of a Guyanese woman from her British colonial country to the deeply racist London of the 1950s. Without an extended family support system or an understanding of her new home, she finds comfort in her work with troubled children of fellow black settlers. Confronting racial divides, memories of a cruel childhood, and the oppression of women, this story emphasizes the power of human solidarity beyond ethnicity and gender.
After 20-year-old Thomas Inkle is left the sole survivor of a shipwreck in the West Indies, he is rescued by Yarico, a Carib woman who takes him as her lover. Their erotic encounter, which has a profound effect on both, is explored with poetic, imaginative intensity. Amongst the Caribs, Inkle is a mere child whose survival depends entirely on Yarico's favor and protection. When he is rescued and taken with Yarico to the slave island of Barbados, however, she is entirely at his mercy. Loosely based on a popular narrative in the 17th and 18th centuries, this version of the tale's mythic dimensions are reinterpreted from both a female and a black perspective, engaging the reader in the psychological truths of the characters' experiences while laying the past bare as a text for the present.
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