Bøker av Bernard Lonergan

In Method in Theology, Vol. 14, Lonergan's intention was to provide a set of methods that would guide a collaborative community in the ongoing construction of a theology that would move from recovery of the data through resolution of conflicts to contemporary formulations and applications.

Along with its companion volume on systematics, The Triune God: Doctrines represents the most comprehensive treatment of trinitarian theology in recent centuries. This English translation ensures that Lonergan's masterpiece will at last be available in its entirety to contemporary readers.

This volume is the first of two that treat Bernard Lonergan's courses on method at the Gregorian University in Rome between 1959 and 1963.

Continuing where Volume 23 left off, Volume 24 of the Collected Works of Bernard Lonergan traces the background to Lonergan's notion of functional specialization as it emerges in his Latin courses and seminars on method.

Early Latin Theology presents seven of Bernard Lonergan's most important early theological works in English translation and the original Latin on facing pages under one cover for the first time.

These lectures help to elucidate the development of Lonergan's ideas on such key notions as horizon, conversion, and meaning, as well as his evolving opinion on how best to divide theology into fields of specialization.

Collection contains short works that span Lonergan's work from 1943 to 1965. The papers deal with scientific, mathematical, theological, and philosophical questions.

Macroeconomic Dynamics represents the economic thought of Lonergan at the end of his career. His analysis breaks from centralist theory and practice towards a radically democratic perspective on surplus income and non-political control, and explores more fully the ideas introduced in For a New Political Economy.

For the edition of A Second Collection prepared for the Collected Works of Bernard Lonergan, editors Robert M. Doran and John D. Dadosky have added archival materials directly related to almost every one of the papers, bringing the reader closer to the original compositions.