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This is the most comprehensive study to date of Amy Tan's work, offering close readings of her texts in the context of broader debates about the representation of identity, history and reality. In contrast with Tan's own American-born narrator, and mainstream critics, Bella Adams looks beyond the stereotypes which appear in Tan's books, and explores the ways in which Chinese immigrants and their American relatives struggle to understand each other's "best qualities" via the Chinese tradition of the "talk story." She emphasizes Tan's American narrators' process of becoming Chinese and discovering "real China," and the significance of the ironic staging of these moments.
This critical study of Asian American literature discusses work by internationally successful writers such as Maxine Hong Kingston, Chang-rae Lee, Bharati Mukherjee, Amy Tan and others in their historical, cultural and critical contexts. The focus of the book is on contemporary writing, from the 1970s onwards, although it also traces over a hundred years of Asian American literary production in prose, poetry, drama and criticism. The main body of the book comprises five periodized chapters that highlight important events in a nation-state that has historically rendered Asian Americans invisible. Of particular importance to the writers selected for case studies are questions of racial identity, cultural history and literary value with respect to dominant American ideologies.
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