Bøker av Arthur Sullivan

Brian Loar (1939-2014) was an eminent and highly respected philosopher of mind and language. He was at the forefront of several different field-defining debates between the 1970s and the 2000s-from his earliest work on reducing semantics to psychology, through debates about reference, functionalism, externalism, and the nature of intentionality, to his most enduringly influential work on the explanatory gap between consciousness and neurons. Loar is widely credited with having developed the most comprehensive functionalist account of certain aspects of the mind, and his 'phenomenal content strategy' is arguably one of the most significant developments on the ancient mind/body problem.This volume of essays honours the entirety of Loar's wide-ranging philosophical career. It features sixteen original essays from influential figures in the fields of philosophy of language and philosophy of mind, including those who worked with and were taught by Loar. The essays are divided into three thematic sections covering Loar's work in philosophy of language, especially the relations between semantics and psychology (1970s-80s), on content in the philosophy of mind (1980s-90s), and on the metaphysics of intentionality and consciousness (1990s and beyond). Taken together, this book is a fitting tribute to one of the leading minds of the latter-20th century, and a timely reflection on Loar's enduring influence on the philosophy of mind and language.

As a child, Casilda is married to Barataria''s future king, yet when she returns as an adult, her husband is nowhere to be found. The heir has been living in hiding with his true parentage forgotten. Marco and Giuseppe are two gondoliers eager to choose their respective brides. Their plans are disrupted when they learn one of them is already married. Years ago, the heir of Barataria was secretly wed to an infant girl called Casilda. Now a woman, Casilda has been named queen but is without her king. Unfortunately, the true heir was taken from his royal home and raised in secret. Both gondoliers fit the description, but only one can ascend to the throne. The Gondoliers, also known as The King of Barataria, is one of Gilbert and Sullivan''s most successful collaborations. It''s a humorous story with fairy tale elements and topical themes such as identity, honor and duty. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Gondoliers is both modern and readable.

A gentleman¿s plan to save his family estate is thwarted by a sudden elopement. Haddon Hall, by Sydney Grundy and Arthur Sullivan, follows a tumultuous dispute between two cousins eager to lay claim to a famous property. To appease the opposition, one man offers his young daughter¿s hand in marriage.

When a pirate¿s apprentice tries to leave the high seas and build a new life, his hopes are dashed when a secret comes to light. The man¿s plans are shattered as he¿s forced to return to his old stomping grounds. Frederic is a 21-year-old who has spent his life working as a pirate¿s apprentice. Now an adult, he¿s free from his commitment and able to venture out on his own. He eventually stumbles across a group of women including the beautiful Mabel. They immediately fall in love and plan to spend their lives together. Unfortunately, Frederic discovers that his birthday, Feb. 29 of every leap year, allows for a loophole in his apprenticeship. He is suddenly thrust back into the world of piracy to serve a new sentence, while Mabel waits on the other side. The Pirates of Penzance is a story about sacrifice and personal responsibility. Despite a clear misunderstanding, Frederic proves to be a man of his word. This is a heartfelt tale full of misdirects and love delayed. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Pirates of Penzance is both modern and readable.

The king of Utopia tries to turn his small nation into a more civilized society by implementing six pillars of change led by six Englishmen. Unfortunately, his new and improved rules cause more harm than good. King Paramount plans to make noticeable changes to his South Pacific nation. When his eldest daughter, Princess Zara, returns from studying abroad, she brings six Englishmen of distinction. Called the Flowers of Progress, they help aid the king in his efforts to transform the government. The Utopian citizens adapt to their new way of life eliminating crime, sickness and poverty. Without these societal ills, the people suddenly encounter different problems that require a better solution. Utopia, Limited is a satire of British colonization and its impact on smaller countries. It debuted in 1893 and produced more than 240 performances. Gilbert and Sullivan deliver a grand story with a vibrant locale and captivating characters. With an eye-catching new cover, and professionally typeset manuscript, this edition of Utopia, Limited is both modern and readable.

Bunthorne is an aesthetic poet struggling with the legitimacy of his work and the female adoration it brings, when one woman suddenly rejects his advances. Patience; or, Bunthorne¿s Bride is a satire of an artistic movement and the superficial pressures it may bring. The poet Bunthorne is extremely popular among his male and female peers. He¿s the object of desire for many maidens, although only one catches his eye. Patience is a milkmaid who is uninterested in Bunthorne¿s work or status. She wants to fall in love with a man, unselfishly, without fame or titles. She and Bunthorne make a rocky connection that may be doomed before it even begins. Meanwhile, the other women look for partners with varying success. Patience; or, Bunthorne¿s Bride is a brilliant commentary on the vanity of romance in art. Gilbert and Sullivan deliver earnest characters with strong views in absurdist situations. This is a unique narrative that fits a bold story in a two-act structure. With an eye-catching new cover, and professionally typeset manuscript, this edition of Patience; or, Bunthorne¿s Bride is both modern and readable.

The question of the a priorican an adequate epistemology be developed without appeal to a non-empirical source of justification?is a core issue running throughout the history of philosophy, and recent decades have seen some provocative and potentially epochal work on the issue. Arthur Sullivan provides a clear-headed evaluation of the upshot of these developments. He argues that the notion of the constitutive a priori provides the best means, all things considered, of accommodating these recent developments into a coherent, compelling view.The constitutive a priori is most commonly known as a position within the philosophy of science, holding that one of Kant's signature moves provides the means to incorporate unforeseen drastic shocks into existing theory. This book shows that this notion of the constitutive a priori provides not merely a satisfactory epistemological framework, but, further, a compelling way to accommodate and integrate some of the most significant lessons learned in twentieth century philosophy. Its distinctive contribution lies in the case it builds for taking this constitutive a priori orientation as a good means of integrating and consolidating certain epochal insights of Wittgenstein, Carnap, Quine, Kripke, and Kaplan.