Bøker av Ariel Dorfman

Censored and condemned, this is a Marxist critique of how our favourite cartoons are vehicles for capitalist ideology.

The tale of a man and a woman who have entered purgatory - a soul-less white room. Each is interrogated in turn by the other. Each has to reach a state of forgiveness and contrition before they can leave purgatory and move on.

"In 1789 Wolfgang Amadeus Mozart visits the grave of Johann Sebastian Bach in Leipzig, looking for a sign, a signal, an answer to an enigma that has haunted him since childhood: Was Bach murdered by a famous oculist? And years later, was Handel a victim of the same doctor? Allegro follows his investigation, from the salons of London to the streets of Paris, recreating an enthralling and turbulent time, full of rogues and brilliant composers, charlatans and presumptuous nobles. Running parallel to this search is the rise of Mozart, his knowledge and fame, his trials and losses"--

"You don't know us," the writer said. "We're different here in Chile." Ariel Dorfman's early novel Hard Rain was written in the last chaotic months before the Pinochet bloodbath ended Allende's elected government. The publication of this book to acclaim outside Chile enabled the author to escape into exile. Here is all the drama and tension of those last months and days, vividly delivered through the eyes and experience of one of Latin America's greatest writers. The tragedy of fifty years ago now comes alive again, in George Shivers' expert English translation."That was Chile: all these individual wills, thoughts, journeys, betrayals, acts of generosity, acts of faith, obscenities, evasions;...you'd have to freeze time and bring every life to a halt so that no one would forget what had happened at that precise moment..." - from Hard Rain¿

"In this 'murder mystery memoir," a Dutch billionaire and Holocaust survivor named Joseph Hortha hires writer 'Ariel' to investigate Salvador Allende's mysterious death in the 1973 coup in Chile, in the hopes of discovering whether Allende committed suicide or was murdered. Dorfman takes us along a spectacular journey, from Washington, DC and New York City, to Santiago and Valparaâiso, and finally to London. Along the way, we witness a midnight gravedigging scene, are tracked by stealthy stalkers, and interview sources of varying credibility to discover what transpired at La Moneda. Through this gripping investigation, Joseph and Ariel attempt to redeem themselves, as they are both plagued by guilt. While Joseph grapples with how he has made his fortune unwittingly destroying his beloved planet, Ariel is haunted by the fact that his absence at the coup led to the disappearance of his friend. What begins as a puzzling quest unwinds into a fabulous saga about our duties to the world, one another, and ourselves"--

I have created for each of you a fate, one tailored specifically for your needs and desires. Each of you has a defining momentnot before, not afterwhen a wrong turn or decision led to the disastrous outcome that you and I mourn. To isolate that malignant moment is an exacting, exhaustive process, which only the most well-trained and competent professionals, armed with the most sophisticated of predictive models and processing power, can accomplish. You can put your trust in me, as you would in an expert surgeon, a surgeon of the soul.On a distant planet overlooking Earth, the nameless protagonist ofThe Compensation Bureauis one of a team of Actuaries at work on the innovative Lazarus Project. Conceived in response to the shocking violence observed in humankind, the project identifies people who have wrongfully died at the hands of otherswhether victims of war, hate crimes, or random brutalityand attempts to compensate for the cruelty and pain they faced in life and death.But balancing the accounts for the sufferings and wrongdoings of humanity proves hardly a clinical exercise. The Actuary soon finds himself personally invested in the projects mission, and the goals of the project itself are complicated as the fate of Earths inhabitants becomes more uncertain.The Compensation Bureauexplores the power of individual and collective action, from a writer hailed byThe Washington Postas a world-novelist of the first category.

The story of a mean and narcissistic king, originally written in the 1970s is both uproariously funny and distressingly on point, will be enjoyed by children and their parents."Rabbits don''t exist."    So decrees the new king, the Wolf of all Wolves, after conquering the rabbits'' homeland. He refuses to allow even one small, fluffy tail or long, soft ear into his kingdom. He orders the birds to broadcast this message far and wide. And he summons the old monkey to photograph him in his royal finery, performing his royal deeds. But in his darkroom, the monkey sees something strange developing in the photos. Is that a floppy ear? Whose grinning bunny teeth are those? How could it be?      Ariel Dorfman''s first children''s book, THE RABBITS" REBELLION, is a remarkable and mischievous allegory of truth and justice triumphing over political chicanery. Set in a magical animal kingdom and illustrated by the great Chris Riddell, this is a story that will have children roaring with laughter and parents raising an eyebrow with recognition.

Told almost exclusively through dialogue, Konfidenz opens with a woman entering a hotel room and receiving a call from a mysterious stranger who seems to know everything about her and the reasons why she has fled her homeland. Over the next nine hours he tells her many disturbing things about her lover (who may be in great danger), the political situation in which they are enmeshed, and his fantasies of her. A terse political allegory that challenges our assumptions about character, the foundations of our knowledge, and the making of history, Konfidenz draws the reader into a postmodern mystery where nothing--including the text itself--is what it seems. First published by Farrar, Straus and Giroux (1995), most recent paperback Vintage (1998).

Draws together Dorfman's critical essays on contemporary Latin American writing

The living risk losing everything, but what they hold on to - love, faith, hope, truth - might change the world. It is this subversive possibility that speaks through these poems. This title gives an account of ruptured safety.

A new edition of Ariel Dorfmans powerful cultural critique of popular works such as the Donald Duck comics, the Babar childrens books, and Readers Digest magazine.

A woman seeks revenge when the man she believes to have been her torturer happens to re-enter her life. Years have passed since political prisoner, Paulina, suffered at the hands of her captor: a man whose face she never saw, but whom she can still recall with terrifying clarity. Tonight, by chance, a stranger arrives at the secluded beach house she shares with her husband Gerardo, a human rights lawyer. A stranger Paulina is convinced was her tormentor and must now be held to account... Ariel Dorfman's play premiered at the Royal Court in 1991, and is now recognised as a modern classic. It ran for a year in the West End, was a hit on Broadway and was filmed by Roman Polanski starring Ben Kingsley and Sigourney Weaver. 'A play that audiences will carry out of the theatre and into life' New York Times

Acclaimed author tells story of General Pinochet's trial as a suspense-thriller. 'An excellent, quick and powerful read, accessible to everyone.' Publishers Weekly