Bøker av Anustup Basu

In this genealogy of Hindu right-wing nationalism, Anustup Basu connects Carl Schmitt's notion of political theology to traditional theorems of Hindu sovereignty and nationhood, illustrating how Western and Indian theorists imagined a single Hindu political and religious people.

This volume brings together a series of essays that interrogate the notion of figuration in Indian cinemas. The essays collectively argue that the figures which exhibit maximum tenacity in Indian cinema often emerge in the interface of recognizable binaries: self/other, Indian/foreign, good/bad, virtue/vice, myth/reality and urban/rural.

This is a study of popular Indian cinema in the age of globalisation, new media, and metropolitan Hindu fundamentalism, focusing on the period between 1991 and 2004.