Bøker av Anton Pavlovich Chekhov

Included in this volume are "The Lady with the Dog," "A Doctor's Visit," "An Upheaval," "Ionitch," "The Head of the Family," "The Black Monk," "Volodya," "An Anonymous Story," and "The Husband."

Chekhov's final dramatic masterpiece displays a touching contrast between the tragic quality of its subject matter and the comic quality of the characters who act it out. The absence of action itself creates dramatic tension, with the doomed cherry orchard symbolises the decline of the Russian gentry. Memory, dreams and the dispossession of property are the main features of Chekhov's poignant 'vaudeville', now commonly regarded as one of the greatest plays in the Russian language.

From the translator's note when this book was originally published in 1921: "The contents of this volume have not previously been translated into English. The first section consists of Tchekhov's Note-books, in which, from 1892 to 1904, he jotted down thoughts, quotations, etc., which were the raw materials of his writings. The second section - Themes, Thoughts, Notes, and Fragments - was found among his papers, written on sheets in a special cover with that title. It contains material somewhat more elaborated than that in the Note-books. It was his habit, if he used any of this material, to strike it out in the Note-books. Both the Note-books and the Themes were first published in Russia in a volume of Tchekhov's literary remains in 1914. We have added some reminiscences of Tchekhov by Gorky, which appeared in Russia in 1906, but which have not been translated into English."

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. 1st World Library-Literary Society is a non-profit educational organization. Visit us online at www.1stWorldLibrary.ORG The author is well aware that whosoever discusses historical mysteries pleases the public best by being quite sure, and offering a definite and certain solution. Unluckily Science forbids, and conscience is on the same side. We verily do not know how the false Pucelle arrived at her success with the family of the true Maid; we do not know, or pretend to know, who killed Sir Edmund Berry Godfrey; or how Amy Robsart came by her death; or why the Valet was so important a prisoner. It is only possible to restate the cases, and remove, if we may, the errors and confusions which beset the problems. Such a tiny point as the year of Amy Robsart's marriage is stated variously by our historians. To ascertain the truth gave the author half a day's work, and, at last, he would have voted for the wrong year, had he not been aided by the superior acuteness of his friend, Mr. Hay Fleming. He feels morally certain that, in trying to set historians right about Amy Robsart, he must have committed some conspicuous blunders; these always attend such enterprises of rectification.

Features stories focusing on the development and existence of the male, the trials and tribulations of adolescence, maturity, and old age. This book takes complicated emotional experiences and presents them clarity allowing readers to vicariously share the experience.